Orson Welles Quotes

What guides me is to do work that's more avant-garde - things that I think are special. You can easily become a celebrity and get caught up in all that blur. I just want to work and surprise myself.

I used to just think about what my fans wanted all the time. But it just started feeling weird to me. I want to just show everyone who I am and stick to my vision. I have to trust myself.

If you stick with a vision, it might not all work, but some of it will be absolute genius. To me, 15 minutes worth of absolute genius in a film is so much better than two hours of mediocrity. I would rather pay to see something different like that.

My greatest achievement is being able to write records that are real snapshots of what's going on in my life. I won't repeat myself for the sake of commerce, or to please other people.

To be a true artist, I have to be true to who I am now and write that way.

Somebody can say they don't understand why somebody drifts. But I've always found people who drift interesting, 'cause it shows me the game's not stagnant in their own head. They're thinking.

I'd love more production houses to encourage artists to create what they want and not just churn things out.

The thing is, I think as a director or a writer or whatever, you have to have a vision. And you have to be maybe sometimes too early, somewhere.

I credit that eight years of grammar school with nourishing me in a direction where I could trust myself and trust my instincts. They gave me the tools to reject my faith. They taught me to question and think for myself and to believe in my instincts to such an extent that I just said, "This is a wonderful fairy tale they have going here, but it's not for me."

It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.

No matter what I put out, no matter what genre - because I feel like I'm going to experiment with everything - I hope people will see that it's true to me, that it's honest, and nobody ever thinks that I'm inauthentic.

If you're going to write, write one poem all your life, let nobody read it, and then burn it. This is very young thinking, I confess, but it is the seminal part of my life.

I believe that before anything else I'm a human being -- just as much as you are... or at any rate I shall try to become one. I know quite well that most people would agree with you, Torvald, and that you have warrant for it in books; but I can't be satisfied any longer with what most people say, and with what's in books. I must think things out for myself and try to understand them.

I don't ever want to be the type of person to tell you what to think or what to believe. Whatever stage in your life that you are in, I want you to organically reach whatever conclusions that you possibly reach.

I'm older now, and I been through that, like, 'Stop. Tell the truth, what I need to do?' And I think that's important, as far as artist, for me to stand for what I believe in, And a lot of times people don't like that, you know what I'm saying. You become a troubled artist, or, 'You don't listen,' but as long as I say 'Yeah, I'll do it!' I'm a good person.

Let the writer take up surgery or bricklaying if he is interested in technique. There is no mechanical way to get the writing done, no shortcut. The young writer would be a fool to follow a theory. Teach yourself by your own mistakes; people learn only by error. The good artist believes that nobody is good enough to give him advice. He has supreme vanity. No matter how much he admires the old writer, he wants to beat him.

Life is going to be a constant peeling back of layers, a constant unlearning of what we've been taught or believe to be true. I think that I've come to terms with the fact that that's just going to happen for the whole duration of my life. I feel really good about being able to look myself in the face and say, "Oh, who are you now?" And that might change.

Over the years, I discovered over and over again that once you lose control, you have a chance of getting good at it. And once you're controlling the work, it's not going to be very good, or it won't be as good as it should be.

The whole point of being alive is to evolve into the complete person you were intended to be. I believe you can only do this when you stop long enough to hear the whisper you might have drowned out, that small voice compelling you toward the kind of work you'd be willing to do even if you weren't paid. Once you tune out the noise of your life and hear that call, you face the biggest challenge of all: to find the courage to seek out your big dream, regardless of what anyone else says or thinks.

... and it's always been a thing with me to feel that all men know the truth, see? ... The truth itself doesn't have a name on it. To me. Each man has to find this for himself, I think. I believe that men are here to grow themselves into the best good that they can be... I'm not interested in trying to say what it will be, I don't know. But I believe that good will only bring good.

To a child, and to an adult, too, what you discover by yourself, or what you think you discover by yourself, is what stays.

You just have to do the thing that you feel is true to your vision, and then the audience will make the decision. But as soon as you feel like you're creating a product to just cater to what you think they want, it never works. It always feels phony. And the audience can tell immediately.

If you sort of see yourself writing into a space that you don't always recognize, you sometimes learn things that you knew, but weren't entirely aware of. It's very liberating for a writer to go into a space where she or he has not gone before, because, instead of being a tourist, you're like an explorer now, and you're sort of lost in this new idea.

Judaism, Christianity, Islam, all of these are branches, the root is love and that's where I went. I went straight to the root, I forgot the branches and I went straight to the root so that is how I see it, that is after I said of research and study and going through different phases of mental evolution, mental and consciousness evolution, not just believing in a book, believing in a certain idea, being willing to think for yourself and formulate your own ideas.

I start movies with people that I believe in and people with visions, you know, that I believe in. And so if it doesn't kind of come together in the right way, at least I was doing it because I believed in the person and the movie.