Shraddha Srinath Quotes

Sometimes I get a little tired of it. But you know, what a privilege, to get tired of working with Ingmar Bergman.

I depend on good editors and a good director.

I was lucky that audiences in Mexico liked my work. I was even luckier when I got to do movies and plays with my brothers.

The thing about working with Peter Jackson is that, at the end of the day, he is a passionate artist.

I've worked with some really great directors, and I'm really choosy about them because they're telling the story at the end of the day.

I am lucky that I have worked with some wonderful directors so far - Madhur Bhandarkar and Rakeysh Omprakash Mehra, among others.

Ultimately what I try to do is work on stories I love with people I admire, and sometimes they get made and sometimes they don't.

It's great working with directors and with somebody else's vision.

When you do movies, it's you have a 3-month family and then everybody goes away and then joins another family, you know?

I didn't so much choose the film as director Claire Denis chose me.

I think one of the main reason's Rick Rosenthal and Whitewater PIctures decided to 'get in bed with me' on 'Fat Kid' was because I came in with a strong business plan as well as a creative vision on how to make the film.

And I just want to work with good directors and good people.

When you direct a movie, you're basically looking at a story, the way you want to look at it. You bring that director's vision, and I'm totally open for that.

Acting's fine if the script's written by Paddy Chayefsky and Martin Scorsese directs it, but unless you have something like that, I don't really enjoy acting.

You make a movie with some people, you become friends over the process of making this movie and then... you go your own way.

What is important to me is that people know I respect the business of making movies.

If there's anything that I've always said about myself is that to me, it's much more important for me to get to work with filmmakers that I've grown up loving and admiring.

Honestly, when you're making a movie, you never say, 'Oh, this one's going to suck and go straight to video.' When you're in it, you think you're doing the best work you can do. You're surrounded by people who are working hard. Everybody's hopeful.

I really enjoy working with people who have come into this industry for what I think are really admirable reasons. People who really want to tell brilliant stories and do it in the most effective way possible.

I don't make movies because I love to act. I make movies because I like to make movies, and I like to be a part of that process.

You go through this business and you meet people that you bond with, and you get to go make movies with them. It's wonderful. What I've always dreamt of, in my career, is to have a brotherhood of collaborators, and go in and out of working with them. I'm just starting to get that, and it's really lovely.

'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp. And he wrote my next movie, which was 'Made.'

What's great about making movies is the sort of additive process of bringing people together and having an idea and watching the idea be added to and at the end you have this thing.

I've worked with a lot of great directors.

I have worked with some very great directors.