Ludwig Goransson Quotes

I'd like to work with David Lynch again.

When I'm in a session with an artist, my job is to help execute their vision - so it's whatever story they're telling, and the news doesn't specifically affect that.

Ultimately what I try to do is work on stories I love with people I admire, and sometimes they get made and sometimes they don't.

I like working with writer-directors because you can solve problems right there.

Any film, or to me any creative endeavour, no matter who you're working with, is, in many cases, a wonderful experience.

And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.

That's the cool thing, when I get to work with people I love. The biggest has probably been Kris Kristofferson on 'Bloodworth.'

I love Rob Zombie - I'd love to work with Rob Zombie or John Cameron Mitchell.

You make a movie with some people, you become friends over the process of making this movie and then... you go your own way.

I've composed a fair amount in my life, and some of them have made it on to the screen, some compositions that I've done, a few. And I like doing that. I had never really considered doing a full-length thing. I've worked with other people creating full-length pieces.

What goes on between the actor and director is sacred.

I became producer so that I could work with persons like him and to rock the world of Hong Kong Cinema a bit.

I feel like I'm a secondary artist, a kind of a conduit for the writer, and if it's a good writer, then I have a great road map.

Well, I worked with lots of different artists, of course.

I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.

You never know when you read a script how it's going to turn out because so much depends on the collaboration between people. If I'd been in some of the movies I turned down, maybe they wouldn't have been a success.

I'm not an expert in instruments, beat programming, or electronics. For some people it's all about doing it themselves. But for me, it's all about find the people that can help make my vision come true.

I would say almost 60 percent of working with Kanye - let's say 53 percent of working with Kanye - is speeches.

Film is a collaborative art form. If you're not being collaborative, you probably shouldn't be working in film. You don't do it on your own. People who understand that, cultivate that, get the best results.

In 'Stree', I had a great time working with the whole team and Dinu, being the producer and one of the most important people. And now we are doing another film together, and I'm sure there will be a couple of more films in the future.

It's good to work with a writer-director.

Nothing's ever easy about composing for other people's projects, but I like it. I've been lucky to have worked with adventurous directors who trust me.

When I work with Future, it's almost like a work of art.

We tend to see films as artifacts of one mind. The reality of it is, I think, when you come out here and start working, you have to learn pretty quickly that it's a very collaborative process.

When I go in the studio with Post, I have a really good idea of what he's going to gravitate to, what we can work with.