Rajkummar Rao Quotes

And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.

To work with the same director is a great feeling.

It's good to work with a writer-director.

I am very pleased to be working with director Woo.

I like working with writer-directors because you can solve problems right there.

I'm proud of 'Sinister' because Scott and Cargill did a great job on the movie, and I set up a framework for them to make what they wanted to make. They gave me the idea, and I figured out how to get it out into the world.

And I think one way or another it's evident to those who work with me that as a writer, a director, a friend, as somebody's there that's very anxious to get the movie made.

If a script comes together, and you end up liking the people who are part of it, that's when you can make magic happen. It's a huge combination of trying to find something you think you can deliver on and a director you think you can collaborate with to make a good picture.

I'm used to working with the director and producer, and that's my relationship. It's very simple.

I love Malcolm Lee and jumped on the opportunity to work with him as a director.

Working with and collaborating with and for Peter Jackson was an incredible experience because he is such a phenomenal filmmaker.

I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.

I'll work with a director if I think I'm going to get into a comfortable situation, and if it's someone I respect and who respects me, even if they're not so well known. Movies are hard to make, and you have to work toward a common ethic and do your best.

I'd like to work with David Lynch again.

I love working with Bob Zemeckis. I think he's amazing and wonderful to work with.

Firoz Nadiadwala is a close friend; he was the first person who asked me to direct a film for him. I would like to have him as my producer for my directorial debut.

Anybody who knows how to make a good movie, knows that it's a collaborative undertaking. To deny that its really dangerous.

I love the producer, Joel Rice. We worked together years ago putting a project together.

I worked with Cameron Crowe, and I'd love to work with him again.

I think one of the main reason's Rick Rosenthal and Whitewater PIctures decided to 'get in bed with me' on 'Fat Kid' was because I came in with a strong business plan as well as a creative vision on how to make the film.

These last few years, working with Tim Burton, it's been the best time I've ever had.

He wasn't directing it, of course, so I didn't work with Hitchcock.

You have to really work with someone who you think is going to be a collaborator, who you think understands what you want to do with this movie and how you want to do it.

To me the only real star of the movie is the writer. And I work with writers very closely, from outline to first draft and on to the seventh draft, whatever it takes. Then my job is to support the director to make the best movie we can. Some producers try to go past them, but my job is to support them.

I realized the exciting place was behind the camera with the producer, director and so on.