Eve Ensler Quotes

Writing is physical for me. I always have the sense that the words are coming out of my body, not just my mind.

I like making records right now 'cause I can express myself that way in a very immediate, physical sense. You can always write a book, but you can't always do a rock 'n' roll record that's gonna work.

Writing a book is as different from digital curation as night and day. Digital curation is a series of split-second decisions: good/no good. It can even be done algorithmically. Writing is process-intensive activity.

When I sit down to write, which is the essential moment in my life, I am completely alone. Whenever I write a book, I accumulate a lot of documentation. That background material is the most intimate part of my private life. It's a little embarrassing - like being seen in your underwear It's like the way magicians never tell others how they make a dove come out of a hat.

No two books come out the same way. Some I write by the seat of my pants; others are planned in minute detail.

The writer learns to write, in the last resort, only by writing. He must get words onto paper even if he is dissatisfied with them. A young writer must cross many psychological barriers to acquire confidence in his capacity to produce good work-especially his first full-length book-and he cannot do this by staring at a piece of blank paper, searching for the perfect sentence.

To write a book is for all the world like humming a song.

I never exactly made a book. It's rather like taking dictation. I was given things to say.

The rhyme always knows better than you, and leads you to places where you wouldn't otherwise have gotten to and that is absolutely the case. Leading off from formal poetry, there is something about when you pay attention to form and you allow it to have its own laws and you listen to those laws you really do end up in places you wouldn't otherwise go. Which isn't to say that I believe in following the rules when I write. I don't. Each of the forms in my books feels to me new.

A friend of mine who writes history books said to me that he thought that the two creatures most to be pitied were the spider and the novelist - their lives hanging by a thread spun out of their own guts. But in some ways I think writers of fiction are the creatures most to be envied, because who else besides the spider is allowed to take that fragile thread and weave it into a pattern? What a gift of grace to be able to take the chaos from within and from it to create some semblance of order.

Each book is, in a sense, an argument with myself, and I would write it, whether it is ever published or not.

You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.

You get caught up in a cycle at some point, so I broke the cycle and decided; I'm going to really write a lot of books, because I need to get in touch with that part of myself in order to make more music.

Following takes why. Transactions take what. It has to be real. It has to be the same for writing a book.

Most writers write books that they wouldn't read. I ought to know; I've done it myself.

Perhaps, it is just as well to be rash and foolish for a while. If writers were too wise, perhaps no books would be written at all. It might be better to ask yourself "Why?" afterwards than before. Anyway, the force from somewhere in Space which commands you to write in the first place, gives you no choice. You take up the pen when you are told, and write what is commanded. There is no agony like bearing an untold story inside you.

There's no really other way to learn writing than by writing. So accelerate that as much as you can. The more you write, the better you'll get. What also helps, though, is walking away from broken stuff. Not everything's going to work. Killing two years of your life trying to resuscitate a dying novel, I don't know. Why not just write a different one? You'll have more ideas. You can't help having ideas.

After you publish a book, you become a writer and you're supposed to take it very seriously. You're supposed to show up at your desk - although frankly, I don't have a desk, I write in bed - you're supposed to show up at your bed and produce work. I think it's a little bit like work. I like to have fun with it, do things like make silly book trailers. I don't want to take this too seriously.

Writers end up writing about their obsessions. Things that haunt them; things they can’t forget; stories they carry in their bodies waiting to be released.

I got into my usual obsessive writing frenzy, using all the material I'd worked on for so long and crafting it into a little novel [Bridget Jones's Baby: The Diaries].

That's the hard work of writing. The imagining.

For me, writing is not a search for explanations but a ramble in quest of what informs a place, a hunt for equivalents.

I craft everything in the beginning. I know where the characters are going before I start writing the book.

How do you write? You write, man, you write, that's how, and you do it the way the old English walnut tree puts forth leaf and fruit every year by the thousands. . . . If you practice an art faithfully, it will make you wise, and most writers can use a little wising up.

When I pick up a pencil, that this is a rough draft. This is not going anywhere, and no one's going to see it. You have permission to make all the mistakes you want. It signals freedom to me, and it signals mistakes. Then when I put it on the computer, a different part of my brain kicks in and I really evaluate every single word and sentence and make decisions. I like that step of polishing while I'm rewriting the entire thing, not just cutting and pasting. Really putting in every word and making a decision: is this something I can stand by?