Pete Townshend Quotes

I've built an 8-track studio in my house that's virtually identical to what they used at Abbey Road, and I also own the 16-track set-up that Led Zeppelin used to record 'Houses of the Holy.' I'm interested in producing, but I'm mostly recording my own stuff.

My dad's a sound designer, and he used to take me to work with him.

I love recording music.

I went to underground music studios. In the studios, I learned that you can make a movie without a permit.

The second album of Black Mages is currently in the process of recording and the basic tracks have already been completed. Hopefully sometime in the future we will be able to have a concert.

Nowadays, I really like playing in studios.

I also have a recording studio that I use to produce bands.

I have a lot of songs, and I'd love to do some more recording with the band.

The four of us couldn't have made a record with the time left over when we were shooting the show. We were on stage from 7.30 in the morning 'til 7 at night. Later on, when there was a break from filming, and we were sick of doing it the old way.

I finished the recordings I had started with Eleven. Matt Cameron joined for the rest of those sessions.

Nobody understands what a producer does.

I've got a studio at home, and I'm always recording.

What really excites me is the production. I get in there and change a lot of stuff.

I love doing instrumental records; I love doing that.

Penn and I want to write a record together.

For a producer, I've been behind the scenes my whole career.

When I was about 17 or 18, I would go through my boy's garage and they had a little studio set up. I would just play around there.

I have my own studio that I sing in.

When I first started recording music, I was actually singing about microphones, equipment, recording.

When I was young, people didn't even really know what a producer was.

I remember discovering that I loved recording - that breakthrough when I was in high school getting to record for the first time.

My studio was built with a team of experts to record the sitar at the highest level possible, and I'm very happy with the results.

With our producer, Greg Fidelman, it was really a joy to work with him and to try different things and experiment.

I think the sound that I have had on all the records that I've been a part of have been important and special.

I did love 'What's Up?' but I hated the production.