Jack Irons Quotes

That was the producer who produced a couple of my solo albums. He produced my second, third and fourth solo albums. It was his project and I just joined him on it. I sang on one and played bass on another one.

It's no secret that my favorite part of the process is making records; if I'm not making them with Flatts, then I'm out producing them on other folks.

I was in Australia in about 1996 when I played some acoustic guitar for some guys at a studio down there. They were pretty happy with it, and mentioned doing an album, so about a year later I met some people who were interested in recording.

Making records should be fun.

I'm a little more comfortable in that role. I love being in the studio.

There are loads of bands I'd love to produce.

I realized I liked being in the studio and working on translating the ideas into recordings.

Have I learned something from making records? Yeah, I've learned a lot, because I've not only made eleven of my own records, I've also probably produced that many records for other artists, and then I've probably played on, or been a large part of another eleven records with other people.

Honestly, most of the stuff I made for 'TV on the Radio,' I write in the studio.

Nowadays, I really like playing in studios.

Ah, the Wrecking Crew! They played on everything that came out of L.A. Oh, that was a good band. You really enjoyed going to work. You played for everyone; it didn't matter what it was.

For 'Twisted Fantasy,' I probably spent 180 days in the studio.

I make records from top to bottom. Bring the best out of the vocalist. I deal with live instrumentation on all our records.

I like being in a recording studio. I like watching a song go from the simplicity of the original music.

T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice.

I'm also working on a track for Howard Hewett, and a theme for a new NPR show.

I'm a record producer and songwriter; I'm a problem-solver.

What producers did was mostly recording in the studio, so it never changed our sound just that much.

I spend a lot of time working in the studio as a producer, not just a singer.

I love recording music.

The beauty of recording in L.A. is that most of the musicians that are on the record live here, so it was easy to get world class artists like Rick Braun to swing by and play a little trumpet, Everette Harp on sax, guitarist Paul Jackson.

Right now we're in the process of writing new material for a new record.

About two months into the Whisky, I borrowed some money and rented a remote recording truck.

Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer.

I have been fortunate enough to record several singles and a whole album with Chet Atkins.