Jamie Campbell Bower Quotes

Ever since I was a kid, I've always been fascinated by the Arthurian Legend, and, you know, the notion of nobility in battle and the - the notion of chivalry.

Pretty much every society, every culture in the world has some version of the Arthur legend, so everybody knows it; certainly in the western world, everybody knows King Arthur, but nobody knows what happens next.

Anybody who's into Arthurian legends will appreciate that they are being re-told. The Arthurian legends have been developed and re-told over the years.

Growing up as a Brit, Arthur and Merlin and Camelot, and just the idea of it, is embedded in the culture and in your soul, growing up. King Arthur is alongside Robin Hood, as those great British folk tales, myths and icons.

From what I've read, everyone has a claim on Merlin. Was he Scottish, Welsh, English or even French? All these countries have got a big claim on him and Camelot. That's why the Arthurian legends are so popular - because they are such good stories.

There have been so many different versions of the legend and of 'Camelot,' so what I wanted to do was strip it all back, and go back to the beginning and tell the story of Arthur, from the beginning of the relationship between Merlin and Arthur.

Any Arthurian enthusiast who has watched 'Merlin' has probably concluded that it's not accurate whatsoever - but, it's not meant to be. It's not meant to be a true telling. It's in a fantasy setting, it's really concentrating on the fantasy element.

Because of the nature of King Arthur and the resonance he has, not only with within the U.K., but right around the world, I have found it a huge honour to play the part. I will look back on it very fondly and be very proud to have been King Arthur when I finally hang up the chain mail!

When I think of Camelot, I think of the castle in France where we film, but I think it's wrong to lock it down to one place because it's all part of our imagination. They are legends for a reason. Their stories have endured for hundreds of years and, hopefully, they will for hundreds of years to come.

Then I saw it, and it just grabbed me. That moment, that breath just before destiny, between innocence and power. He'll pull the sword free. You know it. And in that moment, the world changes. Camelot's born, Arthur's fate is sealed. He'll unite a people, be betrayed by a woman and a friend, and sire the man who'll kill him. In this moment, he's a boy. In the next he'll be a king.

Because it was one of my favorites from the Arthurian legend, one of the things that I really enjoyed doing was the legend of the crystal cave. In my head, it was fun to imagine what it was going to look like because there was a lot of CGI involved, in seeing visions of the future reflected within crystals.

King Arthur was one of my heroes - I played with a trash can lid for a knightly shield and my uncle's cane for the sword Excalibur.

Don't let it be forgot That once there was a spot For one brief shining moment That was known as Camelot

Camelot is a silly place.

Whoso pulleth out this sword of this stone and anvil is rightwise king born of all England.

I've always wanted to play Guinevere. I just asked Chris what he thought, and he steered me in the right directions. We just wanted to make her young and able to make mistakes, which I think is important.

I had been obsessed with the Arthurian legends all my life, and I knew that that would work its way into any trilogy I wrote. I was fascinated by the Eddas, the Norse and Icelandic legends, Odin on the world tree.

We didn't want 'Camelot' to become a period drama.

That's really why I wanted to do it. I wanted to be a part of this generation's telling of Camelot, and also get the chance to play a fantastic, complex, interesting, emotionally passionate, young lead role.

Who is this? And what is here? And in the lighted palace near Died the sound of royal cheer; And they crossed themselves for fear, All the Knights at Camelot; But Lancelot mused a little space He said, "She has a lovely face; God in his mercy lend her grace, The Lady of Shalott.

Arthuriana has become a genre in itself, more like TV soap opera where people think they know the characters. All that's fair enough, but it does remove the mythic power of the feminine and masculine principles. So I prefer it in its original form, even if you have to wade through Mallory's 'Le Morte d'Arthur' - people smashing people for pages and pages! It still has the resonances of myth about it, which makes it work for me. I don't want to know if Mordred led an unhappy childhood or not.

I was very aware of the legend, from such an early age. Being a Brit, you are so aware of King Arthur, Camelot, Guinevere and Morgan, the witch. Merlin is this mad magician who's cloaked in mystery. It has that mystery about it. And, it's a lead role for a woman that's strong and has a real journey to take.

You're not just this person who's from your own specific experiences, but the collective experience of what makes you who you are because of time.

True stories, autobiographical stories, like some novels, begin long ago, before the acts in the account, before the birth of some of the people in the tale.

My interest in writing about American history stemmed originally, I think, from a subconscious desire to find roots - I felt like a girl without a country. I have put down roots quite firmly by now, but in the process, I have discovered the joys of research and am probably hooked.