Joaquin Phoenix Quotes

It's almost jarring when you go to play a different character, after playing someone for so long. I love it!

I would love to do a period piece. That would be really cool. And also like to do something transformative and have to transform yourself physically to become that character. Any interesting, fun roles, I'm attracted to.

On the very last day of shooting [of The Last King of Scotlang], I remember wanting to get the [Idi Amin] character out of me right away, as much as I could. You literally take a bath to wash him off you. Luckily, I went into another part not so long afterwards, so I was kind of able to push it away a little bit. But speech patterns, and little sounds, particularly colloquial things, like the way you ask questions or might respond, were sticking with me, probably because I'd worked so hard to make it a part of my everyday way of expressing myself.

I've been acting a long time, and I can play a Cockney gangster or a womanizer in my sleep or standing on my head. But what I try to do is I try to find characters that are as far away from me as I possibly can and then make them real. A French Nazi is about as far away from me as I can possibly get without actually going to Mars or something.

I could not be one of those actors who stays in character all day long. I'd go mad.

I'm no Method actor. I've tried staying in character, and it's just exhausting.

Whenever I play a role, it's like I've been kidnapped inside my own body.

Instantly when I'm acting, I kick into Frank Agnew face.

I empty myself out and fill myself with the character. I would play a devil worshipper, and I would fill myself up with whatever devil worshippers believe. Then, as myself, I empty that out and become Nelsan.

Once the scene is over, I come out of it. I don't carry the character with me for long as many actors do.

It's interesting what happens when you take on a role, I think. What happens to me - without sounding too spiritual or too hippy, I guess - what happens, most of the time, you do a lot of research, and you get into the character, and at a certain moment, it's like the character takes over.

You create this human being, and then you are that human being for the next six months. It's amazing. I think that's the blessing and the curse of being an actor. You get to be pretty much anything you want to be.

When I work with a character like Valjean on stage, I get totally absorbed in that man. I become that man. But there's always, outside of that, the third eye, which watches what you're doing. And you can say to yourself, 'I'm crying well' or 'I'm being angry well.' But there's always that element there, and it never stops.

You try to become the character that you're working with. So for me, I try to block out the cameras and try to trick my mind that this is actually happening.

I think with actors, we tend to get rid of characters - and not get rid of them as in discard them or throw them away, but it's just that you take that jacket off because you're going to be putting a different jacket on.

I think when I was a younger actor, I did carry that stuff home. When I did ...And Justice For All, I was afraid to drop the character. But when you get older, you learn to go, "Okay, that's it. Let's go have dinner."

I'm not a very good actor, so I break character all the time.

It's never really fun to have to cry in a scene, or anything like that. I just try to put myself in the characters position, and that helps. It's never really fun, but at the same time, if you're having a really bad day, it's a great way to get out all of your frustration by doing a really angry or sad scene. That's always a good release.

Every character lives in ever actor and if you're doing your job right, you're just accessing that part of your fantasy life. I can kill someone just as quickly as I can have sex with someone. You can switch that instinct, no matter what - you can pretend anything.

The reason why I could get into acting was because it takes nothing to get out of who I am and go into somebody else.

I always try to do something very different with each character because that's why I like to do this, because I can become someone else completely and it's fun.

I get some acting jobs. I like it other than the constant slipping in and out of character.

What happens is some of the characters I've played have voices that are so different from my own, that it would be ridiculous if I would dip in and out of that voice in between takes to ask for a coffee, or something. Or to gossip about whatever was going on.

It's like they talk about how American actors have the method and English actors just kind of switch views faster. And John [Hurt] is telling me the story as he's sitting in that witness chair, and they're putting the final touches of makeup on. And he goes, "Hold on a second," to stop his story so he can do the take. And he does this incredible take. They go, "Cut." And then immediately John goes, "Anyways, so Alec, he's playing the chess." And I'm just going, "Holy crap." You get whiplash from those kinds of quick turns!

The character we exhibit in the latter half of our life need not necessarily be, though it often is, our original character, developed further, dried up, exaggerated, or diminished. It can be its exact opposite, like a suit worn inside out.