Gina Bellman Quotes

Unfortunately, the rights to 'System Shock' trademark and copyright are both up in the air.

Every time I write a nonfiction book I get sued.

Publish and be sued

You can't trademark the word 'sci-fi.'

I rip off of every movie and TV show I've ever seen in my life.

An e-bike is like headphones, you can say you have patents, but people will still copy.

'Jeffree Star Approved' is copyrighted in America.

I just play it safe when it comes to television because it is WWE's intellectual property. But it is literally my legal name, like on my ID. My name hasn't been Cody Runnels since I was 17. But it's theirs. At no point would I ever want to go into a courtroom with a company I have love and admiration for.

I think the term "intellectual property" should be avoided, not because it's a bad term, but because it mixes things up that shouldn't be mixed up. There are different forms, and they hardly have anything to do with each other.

If SOPA were to pass, Imgur would not be able to exist. We survive on user-generated content. It would be impossible for us to police the amount of traffic we get for what is or isn't copyrighted material. It's just not possible.

The battle over Napster has divided musicians and industry officials.

We need to create technologies - and a culture of respect, and an updated legal doctrine, too - that allow creative folks to make money from their own efforts.

I really hate people that spoil stuff by putting scripts online. I don't mind so much people that do movie spoilers when the movie is out in the theater. If you haven't gotten there the first weekend, it's on you to not read reviews or anything. But to put up screenplay reviews just kills me.

I always liked 'Johnny Blaze,' but we announced it on TV, and it was under copyright by Marvel. Then I had 'Johnny Spade,' and that name sucked, then I had 'Johnny Nitro.' Johnny Nitro was one of my favourite names.

I recognise that the whole issue of downloading and intellectual property rights is not an easy one, but on the whole, I'm a fan of downloading, both legal and illegal, and the open-source ethos that it harbours for the future is a good one.

When you're working on a Marvel movie, their legal department do not play.

When I created the email in the U.S., my mentor could have easily copyrighted it and taken credit for it.

It's one thing if you write a song and somebody else sings it because you give the OK. But if your voice is on something and you don't get the credit, it's kind of hard.

I'm in constant battle with MTV to see where the line falls. You know, the things I do and say and the things they profit on and the things I profit on.

If you were to make a commercial, or do a magazine ad that says 'let's get ready to rumble' to draw attention to your product, you've stolen my property.

When it comes to music, movies, literature, paintings, and even Bikram yoga, it's pretty easy to have an opinion about whether something has been copied. Software, on the other hand, was an awkward late addition to the original Copyright Act of 1976, shoehorned into section 102(a) as a 'literary work.'

Student cartoonists as well as professionals should always be careful that they're not doing a cartoon that already has been done.

It is impossible to effectively monitor the huge volume of videos that are out there. It is often difficult to find out who owns the copyright on individual videos. Differing copyright laws in different countries also make the whole process harder.

There is so much that I love about all aspects of making a film or a TV show.

If you would have said, in law school, would it be more likely that I would be working on a book or on a TV show, I would have said book.