Aslaug Magnusdottir Quotes

We've always wanted to do a clothing line, and I personally love doing stuff with my sisters; I think it makes the whole process that much better.

We're dealing with sophisticated customers. What's most important to these women is individuality. I have to create things she'll want to wear, no matter who she is.

My girlfriend suggested a bathing suit line, and we are creating it together. We are calling the line Sew Unique Bathing Suits. My girlfriend and I are designing, and there will be some unique pieces. For example, you might find jewelry on some of the suits. Some of the line will just be for show - you do not swim in them.

What Tim does is, he calls me and sends me the script. And then he sends me a drawing, an illustration of his image of me as the character. It's so great.

I'm not one of those playwrights who says, 'Show up, hit your marks, and don't talk to me!' I always want to hear from the other artists involved, whether it's the director, the lighting tech, or the actors.

It's developing a relationship with actors that makes it work.

As in many other industries, the luxury fashion consumer increasingly desires to put a personal stamp on important purchases.

I am very excited about the launch of my new collection with Superga UK. I really enjoyed creating for the brand and adding a piece of myself into the designs. I hope that everyone loves them as much as I enjoyed making them.

It's what I've trained for, from the first sketch to the fabric. Making dresses that are different from the usual style, and a lot of fun to wear.

I see my actors as my collaborators.

No one person is the author of a Bourne film. The truth is it's a coalition of people who share the same vision for Bourne and his world, and we... its remarkably collaborative and collective.

Musicals are very collaborative. Unless you find somebody who wants to do something with you and has equal commitment, it's not going to work.

I create the music, and if this artist could complement this record, I reach out.

Actors and directors work on things together. That's how I like to work, anyway. I don't want to be told what to do. I want to share it with someone and work it out together.

I like working with Bob Odenkirk.

Sometimes when an actor and director work together for the first time, it's not as if there's a suspicion, but there is tentativeness, a certain amount of a right of passage you have to go through in order to get there. When it's already there from the beginning, it's such a plus.

It's important that the director and actor have good chemistry, and not just the actors.

I've always wanted to collaborate with Shawn Mendes, he's an amazing artist, but the thing with Shawn is that I won't collaborate... me just sending some beats. It has to be in the studio where we'd both be there recording together.

A studio that's designed to make television shows is not a studio designed to make a fashion line, so a lot of times, we have ideas for things we might want to do but don't necessarily have the infrastructure to do them in a timely manner.

With an evening wear collection, each piece has to be quite individual.

There's a synergy with Dre and me.

My collaborations tend to be pretty organic. It starts off with me being a fan first.

I was so big, so I had to always come up with my own creations. Like, when I would do junior prom and stuff, I would have stuff specially made or added to my outfit. I definitely was always into trying to do something a little over and beyond.

I can only go with my gut and say what I would like to do, and then my producer comes in and makes it happen.

I don't care if it's Dr. Dre or Dr. Luke or Brian Eno. When you're in a studio and making music together, it becomes pretty apparent if you see eye to eye.