Richard Linklater Quotes

Everybody's been decrying the death of movie theaters for decades and, you know, people are still going to the movies in droves. It's gone down, but it hasn't gone down that much. I think the biggest change has been the emergence of cable and streaming on television. That has really had a dramatic effect, and I think it's a positive one. I think there's really good work going on there, and as movies stratify to being these gigantic tentpole movies, and small movies, I think it gives another outlet for character-driven material.

I am a giant proponent of giant screens. But I accept the fact that most of my movies are going to be seen on phones.

Honestly, I don't try to guess at what most people want. I don't think I'd guess right, and I just think that that's not a good recipe for storytelling. I try to write what I like, what I think my friends would like.

Obviously there's Netflix, iTunes, and Amazon and all these other outlets. Fake It So Real is now on Fandor, and I think people have actually seen it there, which is fine.

Movies are now more often watched on the small screen anyway. But at least for me, what got lost in that is the difference in the medium.

I have this huge, huge fan base of people who've never seen a Broadway show, but I think it's a great introduction to what Broadway is because my shows are not that. I think that if you're getting people to go to theater then somebody should be celebrating that.

What I want to do is make things that I think people want to watch. I'm a film fan, so I think I'm in touch with other film fans and that they might want to watch stuff. The other reason I really don't care is because no matter what you do in life, no matter what you wear, or what you say, people are going to like it or they're not. And that is all. Everything, down to the socks I chose today - people are going to like them or they're not and there's nothing you can do about that.

The Republicans didn't get rolled by anybody. Chuck Schumer didn't outsmart Mitch McConnell, and Nancy Pelosi sure as hell did not outsmart Paul Ryan. I don't care what you think of Ryan, he's not an idiot, folks. These people are not dumb. They're not sitting up there thinking, "All we gotta do is be nice to the Democrats and the media."

People strive to achieve a certain form of perfection constantly and it's impossible because it's a form of opinion. I can think someone is pretty but the person next to me can think that they're unattractive.

I try to work with people who you're not used to seeing in scary movies. I think it makes for a more interesting mix, when you're watching the movie.

I was going to say it's pretty bad these days, but I actually think it's pretty much the same as it's always been: There are a few really great shows on, and a bunch of garbage. That's the nature of the beast. It's always going to be that way as long as the networks try to second-guess what the American public will like. I wish that they'd just put on what they think is good rather than what they think people will sit through. I bet they'd have the same success rate, but at least the shows that survived would be better.

I can't speak for other people, but for me, it never really worked to think something like, "What Beatle did she like in high school?" or those kinds of elaborate backstories.

I just think streaming feels like it's the future. It allows people to watch things in a way that fits into their lives.

Edward Smith: What do you think is the characteristic of a really nice person? Some people you obviously do like more than others. Andy Warhol: Ummm, well, if they talk a lot. ES: What, and don't make you talk? AW: Yeah, yes, that's a really nice person.

You see so many people doing quite nice and respectful work, but nobody like Warhol. Warhol is outstanding. I think he has a value that is far from fully understood. He's very special for younger generations.

I think sometimes people forget how to be nice to people. I try not to let it get to me.

You make a movie and it's like convincing people to go on an expedition with you. You think you know where it's going to end up, and you're hoping and guessing. But, when people trust you and get involved, based on that trust, it's a really nice feeling to be able to have everything pay off.

I like working in television a lot. It's nice to have a place to go every day and a group of people to hang out with and work alongside with a common goal. But I think I'll always love stand-up more, because there's so much to discover. But you cannot beat television money with a stick. Not with a stick.

Whether people are making narrative cinema or experimental cinematic movie experiences, they all want the biggest screen possible and the quietest room and the most attention to every nuance and detail. Obviously, most people will not see the movie that way, but I can still hope for it, and I'd like to think we will be able to pull it off this time.

I need to learn not to bend over backwards to be nice to faith-heads. Give these people an inch and they take a league. I think, as I did when I wrote The God Delusion, that the Roman Catholic Church is a disgusting institution, the second most evil religion in the world.

I tended not to be concerned about whether a song was going to be a hit when I wrote it. Because it became evident that none of us knew what was a hit and what wasn't. So I thought if I just write what I like, why shouldn't people like what I like?

Mobile is great for us. I think, even though the size of the screen doesn't give everything The New Yorker has to offer, people are spending a lot of time reading - and reading seriously - on the phone.

How many people would like to be good, if only they might be good without taking trouble about it! They do not like goodness well enough to hunger and thirst after it, or to sell all that they have that they may buy it; they will not batter at the gate of the kingdom of heaven; but they look with pleasure on this or that aerial castle of righteousness, and think it would be rather nice to live in it.

I don’t feel that I’m making movies for iPhones. If someone wants to watch it on an iPhone, I’m not going to stop them, especially if they’re paying for it, but I don’t recommend it. I think it’s dumb, when you have characters that are so small in the frame that they’re not visible. I’m trying to make an epic.

I don't watch my own films. There is little time; I'd rather see another film.