Bad Bunny Quotes

Being a part of exhibitions is not a burden; it's another way for an independent label such as mine to reach a larger audience by exposing them to my whole body of work.

The one thing the blues don't get is the backing and pushing of TV and radio like a lot of this garbage you hears. They choke stuff down people's throat so they got no choice but to listen to it.

Music is always occurring. It is just a matter of marketing, attention, and many other factors, that determines whether people will hear these songs or not.

You gotta start somewhere. It is what it is. People listen to Soundcloud more than the radio. So why would you put your music on the radio first?

In this day and age, though, no matter how many people you play for, if you're playing with a band like Blink, millions of people will see it thanks to YouTube and everything recording it.

There's a lot of people out there - like, a lot of people out there - that wouldn't know our music if it wasn't for Spotify.

SiriusXM has been an unbelievable way for us to share music. Songs move a lot faster there than they do on terrestrial, so hopefully we can continue to partner with satellite radio as a way to share as much music as possible with our fans.

It's hard to get people at a record company to talk about music. They don't seem to want to talk about music, it's all marketing, and that's part of a record, you gotta get it out there, people have gotta hear it, but you could do it in a way that's not repulsive.

I take pride in the fact that I was the first Hispanic artist to really crack the English market.

I know Ritchie Valens in 1959 had 'La Bamba' but to be totally Spanish - because, you know, Ritchie didn't speak Spanish - but to be a total Latin artist like myself, to be out in a field where there weren't any categories for Latinos... I felt good that I was maybe - I didn't know it at the time - but I felt good that I opened the door.

I enjoy music that is commercial. I think that in order for music to be heard in a lot of different situations, you have to always consider that. Commercial music, for the most part, is popular music, and you always have to keep that in mind. It's not so much financial as making sure it gets the shot and is heard on the radio.

I'm not saying you can't be successful in the music industry without Spotify. But when I look at the future of music, I don't think scarcity is the model anymore. We have to embrace ubiquity - that music is everywhere.

I'm interested in exploring various forms of newer media that might allow those who otherwise don't listen to country to find and connect with my music.

I think representation is something that's absolutely needed. I felt like with K-pop being so hot, we could leverage that to potentially do something bigger with music in the States that people could latch onto.

I think the cool thing about being alive in 2017 is that you can literally put out music as soon and as frequently as you want to because of streaming services.

We are proving that Latinos have the power to connect with an audience on a global level without having to leave our identity behind.

I think that this television medium, or whatever we call it now, is a really great frontier to turn people onto music - to new music or old music. It's a great platform where you've got people's ears, and you can throw something at them. I like to use it to the fullest that I can.

I was frustrated in the past, like, 'Wow, why do they have to throw me in the R&B urban adult contemporary lane?' 'Woman' was a no. 1 hit at Urban AC, so there's no disrespect to that lane. But did it get a fair shot at urban radio? No, I don't think so.

Being from Chicago, you kind of are shielded in a way from the other stuff that goes on in music and the industry.

People got to know us from hearing us live because there wasn't much publicity or radio airplay for a long time.

I'll always work with Stones Throw, but I'm trying to start my own label to release my old material and sign new artists. I want to do everything from rock, to jazz, to electronic, to noise records and movie sound tracks. Both sampled and original music.

I don't really know what a debut album is no more. As long as you got music on the streets, you've debuted.

What Nirvana's success means is that certain radio stations now have their ear more cocked to bands like us; they're more open to playing more stuff.

The hardest part about the music industry for anyone is getting into the ears of the world.

People told me I was nuts when I went to sign an act from YouTube - and now, that's one of the most conventional things you can do as an agent or manager.