Treat Williams Quotes

Beatrice," she says. "Beatrice, we have to run." She pulls my arm across her shoulders and hauls me to my feet. She is dressed like my mother and she looks like my mother, but she is holding a gun, and the determined look in her eyes is unfamiliar to me.

I like to try to keep things as relaxed and easy as possible. I mean, movies generally attract a lot of people who like to cause fires, so they can later try to put them out. But I don't like that kind of thing.

People want the tragedy. They need things to go wrong, they need the tension. In my characters there’s a core of trust and love that I’m very committed to. These guys would die for each other, and it’s very beautiful. But at the same time, you can’t keep that safety. Things have to go wrong, bad things have to happen.

He shook his head in mock sympathy. "I tell you, Sage. Sometimes I think I am the one who needs to take out the restraining order on you.

I tire so of hearing people say, Let things take their course. Tomorrow is another day. I do not need my freedom when I'm dead. I cannot live on tomorrow's bread.

Now to find Tristan, if he survived the excitement. I hope he did. I have some things to say to him, and none of them are 'Goddess bless'. -Numair Salmalin

If I really knew how to do good storytelling, I would be a writer. Mystery is not a huge part of it. ... It's tension, it's relationships. I think it's a struggle.

I think all the roles I've played really center around either the great conflict or how the great conflict affects the people that I love. I've been cast often as a hard-nosed, hyper-confident guy.

The last element in drama is high stakes. War, of course, is life and death - survival, not only for the story's characters, but often for the society itself. That's why I'm drawn to stories that are built around wars, even if they're not technically "war stories."

If people ask me about it, I think it would be great for me to be like, 'Look, [Kanye West] called me and told me the line before it came out. Like, joke's on you guys, we're fine'.

I think the people want to attack Israel for their policies, I think that is fair game. But not to appreciate that there is some level of anti-Semitism around the world involved in that, I think, would be a mistake.

People at a point of conflict are always the most interesting stories to tell.

Keys," she repeated, and slowly stepped back. "What do you mean, keys?" "Car keys. As in, give them up. Now." Shane had that look -- hard, and no bullshit. "We don't have time for your drama, Monica. Nobody does.

People aren't either wicked or noble. They're like chef's salads, with good things and bad things chopped and mixed together in a vinaigrette of confusion and conflict.

Don't you see, Katniss, this will decide things. One way or the other. By the end of the day, they'll ether be dead or with us. It's...it's more than we could hope for! Well, that's a sunny view of our situation.

Humanists recognize that it is only when people feel free to think for themselves, using reason as their guide, that they are best capable of developing values that succeed in satisfying human needs and serving human interests.

Is that why you hate me?" I ask. "Partly," She admits. "Jealousy is certainly involved. I also think you're a little hard to swallow. With your tacky romantic drama and your defender-of-the-helpless act. Only it isn't an act, which makes you more unbearable. Please feel free to take this personally.

I am never taking a trip with either of you ever again.' Eve said. 'Ever.' Excellent' Shane said. 'Then next trip, we hit the strip bar.' I have a gun, Shane,' Eve sighed. What, you think i actually loaded yours?' Eve flipped him off, and Claire laughed.

The marriage between the fantasy and the Westerns is that thing of, if people think you're the best gunslinger around, they're going to come looking for you.

Everybody always talks about the science fiction genre, in particular, which always makes me think about people in spaceships. I can appreciate that, but that's not really where I think my dramatist aspect lies.

I don't think I ever had any relationship with any showrunner, over time, with whom I didn't have conflict.

Books are an attempt to control something that's uncontrollable. That's one of the beauties of African American life. There was this thing called slavery and adjustments were made. It literally destroyed millions, but it didn't destroy the inner lives of all the people who experienced it. There are still horrible things that go on because of the myth of race, but we don't have to succumb totally. If I had only a negative side of things to present, I think I would have much less of a drive to do it. Because what would be the point?

In a world where people die every day, I think the important thing to remember is that for each moment of sorrow we get when people leave this world there's a corresponding moment of joy when a new baby comes into this world. That first wail is-well, it's magic, isn't it? Perhaps it's a hard thing to say, but joy and sorrow are like milk and cookies. That's how well they go together. I think we should all take a moment to meditate on that.

There's even more blending of genres happening. They blend sci-fi with action, or family drama with a mystery show. People don't want to just do the same thing that everybody's done a thousand times before, and that's probably a big part of it. I think you're also seeing television and features speak to each other. You see it happen in movies, and it starts to get reflected on the small screen.

Toys are not a need people typically think of, but they've got all these kids who have absolutely nothing to do.