SARAH GREENE

You do burn out, going from job to job. You have to be careful of your mental health and your body.

Your choices are very important. The only thing you have as actors are your choices: the option to say no to something. You don't want to take on a really bad job and be terrible in something - especially in film, because if you're bad in it, you're bad in it forever.

Sarah Phelps is such an incredibly detailed writer. She's famous for bringing literature to life, like Dickens and Agatha Christie.

The theatre training is second to none in Ireland and England. You meet people who haven't had theatre training - it is harder for people who worked in TV to go into theatre than the other way around.

Being out at work in L.A. is the nicest place to be. You don't get depressed because of the sun shining every day. I love it there.

I've always been very passionate about acting. I appeared in panto in the Everyman from the age of five.

I wish I was a writer but I'm not. We can just hope that people realise that women actually have incredible stories to tell so tell them.

I move my face so much because I'm very much expressive. I'm told a lot, 'Stop moving your face'. Because on camera, the tiniest movement tells so much, and it looks really hammy.

It's very hard being a mother or father and not being able to provide for your family. Your job as a parent is to keep them safe and protect them, and when aspects of that are taken away it puts these people in an awful situation.

I'm not really scared of getting work. I gave up worrying about that a long time ago because there's no point. I'm very much about living in the moment and taking each day as it comes.

It's really, really tough being a woman. I think about getting work done all the time. Look at Nicole Kidman - her face is completely done.

You only have one life so love, fall in love, get hurt, live your life to the fullest and don't be scared to throw yourself into being in love.

People were buying two, three and four houses to be sold on and rented out. Then the money ran out. To this day you see a lot of what we call ghost estates around Ireland, which have not been finished.

Normal People' is an incredibly intimate show, there are a lot of love scenes in it and it's beautifully done.

How many relationships have we been in where its like, are we together, are we boyfriend and girlfriend? What does that even mean? We're too scared to ask the question, we're afraid of the answers. It's a learning curve.

It was kind of Saoirse Ronan who really paved the way - she's the youngest of us all, but she did. She paved the way and opened doors for all of us. We're all rising on her coat-tails and I'd take any job she doesn't want to do.

I've always been a massive fan of Killian Scott and Tom Vaughan-Lawlor anyways, so to get to work with them was absolutely a bonus.

You do doubt yourself and question yourself. You go from massive highs and confidence boosters - when I was in New York I was buzzing around the place - to really doubting yourself and questioning everything about your personality.

I can't imagine having to it to walk into murder scenes, and then trying to let that go, at the end of the day, and going home to your own family to live a normal life.

I've got quite a low voice, so it's not your typical musical theater voice, but I do love musicals; they're a very different experience.

I took a break from theater after 'The Cripple of Inishmaan' to make some money, to be honest, and also to feel more confident in front of a camera, and before long it was two years since I'd been acting onstage and I found that I really missed it.

I'm very much about living in the moment and taking each day as it comes.

I think my biological clock ticking is more worrying for me than getting the right roles.

Everyone knows everyone because we've all worked in theatre. All of our 'Dublin Murders' crew came from 'Game of Thrones'. Also, we only drink in two pubs in Dublin, so we always bump into each other.

I grew up in musicals actually, and the last show I did in Dublin, 'Alice in Funderland', was a musical, and one that was written around my voice, which was nice.