MIGUEL ANGEL SILVESTRE

I belong to a generation that has seen the explosion of freedom, the celebration of freedom.

We know how difficult it is to do something that works and that you feel proud of. When it happens, it's like a miracle.

You always have to speak good about the projects you do and you have to see the beauty in them. Sometimes you see them and you're happy with things, or maybe the process was nice and you enjoyed it, and you were happy with that. But when everything gathers - you liked the scripts from the very beginning, the directors, your friends - but then you see the result and you like it - it's beautiful.

In the end, I would love [the audience] to be more open to the understanding of different types of personalities, you know?

Sometimes we don't want to accept who we really are, and we lie to each other, to ourselves.

I can remember exactly where I was when I saw 'The Matrix' for the first time.

I'm from Spain, and in Spain, things in the '80s after the dictatorship, it was like a big explosion of freedom.

In Spain, after the dictatorship, thanks to Pedro Almodovar, many artists put on the streets through art a big explosion of freedom.

It's very important to be as transparent, as real as possible, as a person.

I studied physical therapy, and I started to study theater because my aunt is a theater director.

I belong to a generation that has seen the explosion of freedom, the celebration of freedom.

I can remember exactly where I was when I saw 'The Matrix' for the first time.

I studied physical therapy, and I started to study theater because my aunt is a theater director.

In Spain, after the dictatorship, thanks to Pedro Almodovar, many artists put on the streets through art a big explosion of freedom.

You always have to speak good about the projects you do and you have to see the beauty in them. Sometimes you see them and you're happy with things, or maybe the process was nice and you enjoyed it, and you were happy with that. But when everything gathers - you liked the scripts from the very beginning, the directors, your friends - but then you see the result and you like it - it's beautiful.

Sometimes we don't want to accept who we really are, and we lie to each other, to ourselves.

It's very important to be as transparent, as real as possible, as a person.

We know how difficult it is to do something that works and that you feel proud of. When it happens, it's like a miracle.

I'm from Spain, and in Spain, things in the '80s after the dictatorship, it was like a big explosion of freedom.

In the end, I would love [the audience] to be more open to the understanding of different types of personalities, you know?