LAWRENCE OSBORNE

My parents were bookish, very musical, but otherwise uninvolved in the arts or the academic world.

I think humans are migratory animals.

Muslims do drink, as anyone who has spent a wild weekend with Saudi booze tourists in Bahrain will know. Those Saudi tourists are like teenage girls in Manchester on a Saturday night. But each country and region is different.

Sometimes you can publish a first novel in a kind of lyrical flourish, but it is not really a lyrical form. The beautiful truths about the world are more hard won than that. Novels should be bleach boned. It's a question of cumulative observation and lived suffering. It takes time.

Boredom and sexual desire are a potent and explosive combination, and people will certainly risk their lives to exit a grey and boring life.

'The Odyssey' is a great poem to refugee-dom... Odysseus is not entirely a refugee... he's somebody who's blown off course. The entire book is an exploration of that theme... I reread it every year... That's not as surprising as it sounds, because it's a rip-roaring book.

At the end of the 18th century, a young British explorer named George Bogle became one of the first Westerners to penetrate the mysterious and reclusive realm of Druk Yul, or 'Dragon Land.'

I don't know where this thing about me being a travel writer comes from. It's nothing to do with me; I hate travel writing. I don't do it - I do it a little bit, but not much. I don't believe in it. I think it's over. The world is so saturated now that you don't need it.

I've got everything against likable characters. Likable characters are usually completely forgettable, and we don't really care. I think we love villains... precisely because they show us these disturbing complexities that I don't think nice characters do.

My mother sent me and my sisters to Italy every year for language school, so I spent a lot of my teenage years in Florence and Rome. After university I went to Harvard for a year, dropped out, and then went to Paris, where I ended up staying 10 years. It's different from being American: If you're British, you're expected to live at the far corners.

I grew up in the small town of Haywards Heath, south of London.

The drinker is a Dionysiac, a dancer who sits still, a mocker. He doesn't need your seriousness or your regard. He just needs a little quiet music and a gentle freedom from priests.

I still miss qualities of Khmer life that are hard to quantify: the slow, sensual pace, the hovering presence of the past, the vast skies filled with terrifying and beautiful butts. And, of course, the food.

More than 700 years ago, the Song Dynasty artist Zheng Sixiao created perhaps the most beautiful image of orchids ever painted, 'Ink Orchid.' And still famous today is a thousand-year-old poem from the Tang Dynasty called 'Orchid and Orange.'

Mongolians are epic drinkers and carousers, and in this respect, they are extremely congenial to my own way of thinking.

My parents were decent, aspirant first-generation middle class. They read 'Reader's Digest', listened to classical music; my grandparents had a bust of Stalin on the mantelpiece. The kids of that generation were terrified of being below par, class-wise.

I spent a fair amount of time in Communist Poland when I was young - my wife was from there - and I had the impression that boredom was one of the things that was undermining that whole society from the inside.

The orchid's association in Chinese culture with such virtues as elegance, good taste, friendship, and fertility goes all the way back to Confucius himself, who was said to have a particular attachment to the flowers.

The Gobi is in many ways like the old American West, filled with abandoned hamlets and buildings, traces of disappeared peoples. Across its oceanic blond grass, horses and the black silhouettes of camels move languidly, as if they are the only inhabitants. Ancient Turkic nomads left enigmatic petroglyphs carved into boulders 2,000 years ago.

I left New York after my mother died and, rather aimlessly, had settled in Istanbul for a change of scene. It was a rather dramatic gesture on my part, since I'd lived in New York for 20 years, but I felt I needed something different - the escalating expense and pressure of New York had begun to weary me.

Military history is essential to understanding any history and, moreover, is a terrifying and sobering study in the realities of human nature - for yes, to me, such a thing exists, and history indeed proves it.

So many writers live their whole lives in rooms. You can be too civilised in the environment you have around you, too oriented towards speaking engagements and literary festivals and dinner parties. That has no interest for me these days. You get to a point where you don't care anymore. At that point, you can start to write.

New York was very congenial to me when I was young, like most people. I met my comrades in arms and partied hard. It's the way it should be, and then you get sick of it.

I love the novel as a form, as an adventure of mind and soul. Really, I absolutely love writing them; they consume my days and nights - what can I say? But I am an avid film student, too: I watch a movie every night.

There's a distinct unease about Americans when they are outside the United States. I can't say quite what it is, but they are easily spooked or driven to cynicism - the country is diverse but, paradoxically, extremely insular.