To write history is as important as to make history. It is an unchanging truth that if the writer does not remain true to the maker, then it takes on a quality that will confuse humanity.
Let us admit that most of us writers feel an essential aversion to politics. By taking such a position, however, we accept the perverted principle of specialization, according to which some are paid to write about the horrors of the world and human responsibility and others to deal with those horrors and bear the human responsibility for them
Prior to his Presidency, Havel was a world class playwright.
I belong to the Russian language. As to the state, from my point of view, the measure of a writer's patriotism is not oaths from a high platform, but how he writes in the language of the people among whom he lives.
The future depicted in a good SF story ought to be in fact possible, or at least plausible. That means that the writer should be able to convince the reader (and himself) that the wonders he is describing really can come true... and that gets tricky when you take a good, hard look at the world around you.
The main engagement of the writer is towards truthfulness; therefore he must keep his mind and his judgement free.
There are events which are so great that if a writer has participated in them his obligation is to write truly rather than assume the presumption of altering them with invention.
It is unsafe to take your reader for more of a fool than he is.
I know now that everything I write, I'm going to put out, and I'll have to live with it for the rest of my life.
When a man becomes a writer, I think he takes on a sacred obligation to produce beauty and enlightenment and comfort at top speed.
Particularly as a writer, it is my job to ignore social critics, or the response that social critics might have when it comes to the opinions of my characters, the way they talk, or anything that can happen to them.
As a writer, you have to realize that people want to like the characters, so you have to be careful to keep them involved.
A writer should concern himself with whatever absorbs his fancy, stirs his heart, and unlimbers his typewriter. ... A writer has the duty to be good, not lousy: true, not false; lively, not dull; accurate, not full of error. He should tend to lift people up, not lower them down.
Whenever you write, whatever you write, never make the mistake of assuming the audience is any less intelligent than you are.
A writer must face up to the test of reality, including political reality, and that can't be done if he keeps his distance. A literary style cultivated like a hothouse plant may show a certain artificial purity, but it won't really be pure.
In journalism just one fact that is false prejudices the entire work. In contrast, in fiction one single fact that is true gives legitimacy to the entire work. That's the only difference, and it lies in the commitment of the writer. A novelist can do anything he wants so long as he makes people believe in it.
I am a writer. Being critical is a writer's responsibility.
No matter how true I believe what I am writing to be, if the reader cannot also participate in that truth, then I have failed.
A good writer cannot avoid having social consciousness. I don't mean this about small pieces of writing, but about a big book. If it's a big book, there has to be more than one undertow.
A writer should never allow himself to be lulled out of the vigilance native to his profession.
A writer is a human being. He has to live with a sense of honor.
My writing model is my mother, who is a writer as well. She always valued clarity and simplicity above all else. If someone doesn't understand what you're writing, then everything else you do is superfluous. Irrelevant. If any thoughtful, curious reader finds what I do impenetrable, I've failed.
Writing is one of the few professions left where you take all the responsibility for what you do. It's really dangerous and ultimately destroys you as a writer if you start thinking about responses to your work or what your audience needs.
A writer doesn't write for his readers, does he? Yet he has to take elementary precautions all the same, to make them comfortable.
The writer who can't do his job looks to his editor to do it for him, though he won't dream of sharing his royalties with that editor.
As a writer, you have to be mean and vicious. Use the pen as your gun. Sometimes the people you write about get hurt.