I am the jongleur. I leap and pirouette, and make you laugh. I make fun of those in power, and I show you how puffed up and conceited are the big shots who go around making wars in which we are the ones who get slaughtered. I reveal them for what they are. I pull out the plug, and... pssss... they deflate.
You don't want to be innocent in the world of 'Game of Thrones.'
Women as a class have never subjugated another group; we have never marched off to wars of conquest in the name of the fatherland. We have never been involved in a decision to annex the territory of a neighboring country, or to fight for foreign markets on distant shores. These are the games men play, not us. We want to be neither oppressors nor oppressed. The women's revolution is the final revolution of them all
Over the years, people I've met have often asked me what I'm working on, and I've usually replied that the main thing was a book about Dresden.
A part of me was like, 'Man, do I even like doing this anymore?' That whole thing of 'I'm in my 30s, and I sing and write songs while people are fighting wars in Iraq.' You know? So everything had to have more meaning, and it couldn't just be about making money. So, I took a minute.
And I believe that the Binomial Theorem and a Bach Fugue are, in the long run, more important than all the battles of history.
Morally, the world is both better and worse than it was. We are worse off than in the middle ages, or the 17th and 18th centuries, in that we have the atomic menace.
Many people in the world today are not starving because there is an inherent inability to produce food, they are starving because they are caught in the middle of political fights and blockades that have been used as weapons.
'Apocalypse Now' poses questions without any attempt to provide definitive answers, and the film's profound ambiguities are integral to its enduring magic.
I don't support terrorism and never have. As a Sri Lankan that fled war and bombings, my music is the voice of the civilian refugee.
I mean, honestly, we have to be clear that the life for many Afghan women is not that much different than it was a hundred years ago, 200 years ago. The country has lived with so much violence and conflict that many people, men and women, just want it to be over.
We're in a world where there's famine and hunger and people are dodging bullets and having their nails pulled out in dungeons so it's very hard for me to place any high value on the work that I do to write a song. Yeah, I work hard but compared to what?
Those blessed ages were fortunate which wanted the dreadful fury of the devilish and murdering pieces of ordnance, to whose inventor I am verily persuaded that they render in hell an eternal reward for his diabolical invention, by which he hath given power to an infamous, base, vile, and dastardly arm to bereave the most valorous knight.
This reflected a commonly held belief that the gun was an ignoble invention.
The star [Tycho's supernova] was at first like Venus and Jupiter, giving pleasing effects; but as it then became like Mars, there will next come a period of wars, seditions, captivity and death of princes, and destruction of cities, together with dryness and fiery meteors in the air, pestilence, and venomous snakes. Lastly, the star became like Saturn, and there will finally come a time of want, death, imprisonment and all sorts of sad things.
We have become the charnel house of the Western World.
Isn't it sad, that in a time when we face so many devastating problems - poverty, HIV/AIDS, war and conflict - that in our Communion we should be investing so much time and energy on disagreement about sexual orientation? [The Communion, which] used to be known for embodying the attribute of comprehensiveness, of inclusiveness, where we were meant to accommodate all and diverse views, saying we may differ in our theology but we belong together as sisters and brothers [now seems] hell-bent on excommunicating one another. God must look on and God must weep.