Unfiltered Dialogue Quotes

We try to talk when the microphones are on the same way we would when the microphones are off.

We can't avoid that our daily and intimate manner of speaking is sometimes rough.

When I look at 'Napoleon Dynamite's style I'm reminded of how I spoke when I was an eight-year-old boy. It was just like capturing the essence of, 'Duh!' It was just like the stuff that I would say when I was like eight, nine, ten years old.

I am really influenced by normal, simple, everyday life and people, like the Biji and Dolly in 'Vicky Donor,' who used to drink and say whatever they felt like. These characters were so lively. I have seen these people around me.

My standards are based on shows I like, like 'Girls' or 'Arrested Development.' And they're all shows that are groundbreaking. I guess in the back of my head, I think, If you're not being groundbreaking, then what are you doing? If you're not being ballsy and honest and vulgar, then what are you doing?

I never thought that I would become a staple in the Australian cultural diet. The equivalent of bread or milk, or a fine old Tasmanian Mauve Vein. I think it's because I talk about things that people dare not mention. I don't mean raunchy things or unsavoury things. I call a spade a spade - I discuss things in a realistic manner.

Most of the characters I have in my children's books are grouchy or annoyed about something or are calling each other unfriendly names. Like my own kids, they're not honeys and sweetie pies and little angels. They're kids. Sloppy, dirty, stinky.

And that's what the audience was feeling too, as they watched the show and as they watch it now. And overriding all of that is the way it was written. It was written honestly. There was never any manufactured laugh. There was never compromising of character.

Speech is human nature itself, with none of the artificiality of written language.

Macro humor is just a person being themselves in a situation, saying whatever they're going to say, and it's funny because of the situation and who they are, or they say something, and it's just so them.

My friends once told me I remind them of the main character from the American comedy series 'Curb Your Enthusiasm.' I thought they must mean a sunny, affable girl-next-door, but instead I was confronted with Larry David! Crabby, moody, perversely neurotic Larry David. And the thing is, my friends were right.

Sadly, some seem unable to accept that maybe what America needs is someone who will level with voters, and who isn't shy about presenting things as they are, not like we would necessarily like them to be. That is no truer than on U.S. college campuses.

To me, the job of a playwright is to explore and bring to light our lives. You can't hold back; you have to give in to this. Sometimes, you say things people don't want to hear.

What the Internet offers is this completely unfiltered transmission of thought to thought, of psyche to psyche, and whatever you're feeling, you can just sort of put it down and send it out there, and you can do it all in the confines of your room, without any actual contact.

Your reader is interested in a guileless, fresh, first-time-we-talked-about-it way. What a great liberation that is. And teenagers, if you respect them, will follow you a lot further than adults will, without fear of being a genre that they may not like or have been told not to like. They just want a story.

I don't really have guilty pleasures - I like what I like. But I've seen a lot - a lot - of 'Taxicab Confessions.'

Men are much more up-front with their friends. There isn't as much maneuvering, back-stabbing and covert campaigning. It is what it is at face value.