Alber Elbaz is just a genius. He'll be in a dinner jacket and he doesn't care what time of day it is: I love that about him. He just marches to the beat of his own drum.
When I was a crusade director in British Columbia, all of our meetings were at 9:03. Somebody said 'That's ridiculous. Why did you do that?' It's because you remember it. You've never been to another 9:03 meeting.
When I tell people in England my show is going on at midnight, they look at you like you're crazy.
Producing a dark Christmas album in the middle of the summer is a very interesting process, especially if you are doing it by the turquoise Caribbean Sea.
Most music that you hear is in synch with itself. We were experimenting with the music falling out of synch with itself and even though it is out of synch you mind can still understand what it is meant to be doing.
I was having my teens in my 30s.
I'm irrational about all things creative, and I'm always late!
It took me 29 years to finish that song. That's a typical Jardine move.
The things that transpired in my life, they didn't happen in the order that they're supposed to, or are ideal. Everything just kind of fell in my lap at a young age. Things were thrown at me very fast.
You can time a part perfectly and play it badly. And some people have very individual offbeat timing, which is their own. It works simply because they are who they are.
If it was up to me, every show would start at midnight, and I'd give people the best of me.
My songs emerge from my life, or wherever they do, unbidden and unplanned and completely on a schedule of their own.
I want to cultivate my own sound in my own atmosphere, where the clock is not running.
The support that we have from the network in terms of watching us at an unusual time in the year and playing our episodes three times in a given week until we built an audience... is exceptional.
