I get double-takes at the hardware store. I've had people say, 'I didn't know you did this.' With a celebrity, if folks don't see you, they think all you do is stay in the house.
I couldn't live on the singing at first, so I worked as a cleaner, in a launderette, in a garage, face painting and doing the windows of shops at Christmas, 'cause I had been to art college.
There are some writers who don't write about people who do jobs. I'm not going to name them, but you watch one of their films, or you read one of their books, and you think, 'What job do they do?' They seem to have a nice house and a nice income. How have they got it?
I did a lot of weird jobs, like most writers do.
I had gone to New York with no plan at all. I did a lot of jobs - barman, teacher, security guard, postman and construction worker - and I was meeting many eccentric characters, and they were saying funny things, which I always wrote down.
Writing is the hardest way of earning a living, with the possible exception of wrestling alligators.
My father started his own business, and before that was a freelance lecturer, and my friends are artists and musicians; they don't have real jobs - none of us have real jobs.
What hasn't Barbie been? I don't think I can create an occupation that she has not done yet.
I don't have any great first job tales: I've never worked on a tramp steamer or in a coal mine or anything like that. I think the inspiration for my writing came largely from my father and the joy that life in books represented to me.
I had a lot of jobs in New York. I worked in a cafe, and I did bike delivery, and I was a mover. And I babysat, which was really cool in some cases and really insane in others.
