Temperate, sincere, and intelligent inquiry and discussion are only to be dreaded by the advocates of error. The truth need not fear them...
Second to Benjamin Franklin, Rush was the only other real scientist of the American colonial era.
I wasn't really actively trying to pursue music, so I was really just allowed to create freely without any pressure or outside influences like, 'Oh, I should be making this' or 'I should be collaborating with this person.' It was just kind of like whatever I wanted to do. I was just having fun with it.
There must be no barriers to freedom of inquiry. There is no place for dogma in science. The scientist is free, and must be free to ask any question, to doubt any assertion, to seek for any evidence, to correct any errors.
We have a right to know or may lawfully know any truth. And a right to know any truth whatsoever implies a right to think freely.
Nobody ever told me, 'Art is this.' This was good luck in a way because I would have had to spend half of my life forgetting everything that I had been told, which is what happens with most students in schools of fine arts.
Science is the disinterested search for the objective truth about the material world.
Those with the courage to explore the weave and structure of the Cosmos, even where it differs profoundly from their wishes and prejudices, will penetrate its deepest mysteries.
Unlike scientism, science in the true sense of the word is open to unbiased investigation of any existing phenomena.
We who are interested in relative truth have to keep digging for it and not let ourselves be sucked under.
Science, almost from its beginnings, has been truly international in character. National prejudices disappear completely in the scientist's search for truth.
If we are to define science, ... it does not consist so much in knowing, nor even in "organized knowledge," as it does in diligent inquiry into truth for truth's sake, without any sort of axe to grind, nor for the sake of the delight of contemplating it, but from an impulse to penetrate into the reason of things.
The scientific attitude of mind involves a sweeping away of all other desires in the interest of the desire to know.
'Ruined' was a play which was somewhat of an anomaly in that I did not take a commission until it was finished because I really wanted to explore the subject matter unencumbered. Otherwise, I felt as though I'd have the voice of dramaturges and literary managers saying, 'This is great, but we'll never be able to produce it.'
I am bound by my own definition of criticism : a disinterested endeavour to learn and propagate the best that is known and thought in the world.
'Savage Inequalities' was about school finance, and 'Amazing Grace' primarily dealt with medical and social injustices in New York. But with 'Ordinary Resurrections,' I had no predetermined agenda. When I met with the children, I was not in pursuit of any line of thinking. In our conversations, I let them lead me where they wanted to go.
No facts are to me sacred; none are profane; I simply experiment, an endless seeker, with no past at my back.
To be a fan is to be curious, and to be curious is to have openness... Part of being a fan is to allow 360 degrees of experience - to immerse without judgment. It's like a really fearless step forward into new experience. There's something that feels very timeless about fandom.