Tv Innovation Quotes

The other great innovation are things like Transparent or One Mississippi on Amazon, Master of None on Netflix, and those half-hours. It's a lot easier to watch a load of those because it's far more palatable to go, "You know, I'm just going to do one more of these."

The Simpsons was pretty experimental at the time, but it attracted a lot of sitcom writers that felt confined by the limitations of live-action sitcoms in the '80s.

If you had told me in the Seventies and Eighties that TV would be as edgy or edgier than most films, and more intelligently written than most films, I wouldn't have believed it. There's great stuff out there.

Over the years, TV has gotten so much better, especially with the advent of cable. The bar has been raised. I think HBO really set the standard with 'The Sopranos,' and then on mainstream TV, shows like 'Lost' broke amazing ground.

I don't think 3D television gets huge adoption until the consumer experience is no different than HD television. Until you can sit down on your couch and just turn on your TV, and it's 3D without anything else happening, I don't think it'll be a massive adoption.

I think 'Lost' was really a pioneer in the use of the kind of connection between a television show and the Internet, and the Internet really gave fans an opportunity to create a community around the show. That was something that wasn't really planned; it just sort of grew up in the wake of the show.

Without 'Twin Peaks,' there would have been no 'Northern Exposure,' 'Picket Fences,' 'X-Files' or 'Alias.' It started the movement of 'off-center' television.

I think that the difference between 'The Sopranos' and the shows that came before it was that it was really personal. There had been a lot of dramas, a lot of really good ones, a lot of really bad ones, but they were always franchise shows about cops, or doctors, or lawyers. They weren't about the writer himself.

Microsoft first entered the living room with Ultimate TV way back in 2000 - a year before Apple's first iPod was announced. Ultimate TV offered consumers a DVR and supporting online services, including 14 days of programming and the ability to record 35 hours of programming. Microsoft's reach was then thwarted when Echostar acquired DIRECTV.

I think interactive television is doomed. It's a dead end.

BBC3 even started their biggest shows, like Jack Whitehall's 'Bad Education,' they premiered on the iPlayer a week before it went on TV. I think it should always be at the forefront of what is fresh and exciting, and therefore it should be the first channel to exist online.

The internet has surrounded television and turned television into an art form.

I think the amazing thing about 'Twin Peaks' was that it completely changed television from that point forward. It showed everyone that you can just sit really quiet with storylines and characters. It can be scary, it can be uncomfortable, it can be weirdly funny.

Now the idea in the movie world is to make things the same. And in the TV world, the idea is to do something different, so... that's why I'm here!

I was a kid at the end of the 1960s and in the early 1970s, so a lot of things changed. You had pop music coming up, with David Bowie, you had new television programmes and all these things. I was fascinated.

I'd like to think that 'Bojack,' in some ways, pushes the edges of what some people think an adult animated show can be. That was an intention of mine while making the show.

Traditional TV will have to innovate their TV delivery software in new ways beyond just offering their content in an app in order to change the viewing erosion of TV.

People are tired of just watching their TV set passively. They are playing interactive games today. They are on the Internet interacting. They want to be part of their TV set.

I was a part of the reality show wave in 2002. Back then, no one had seen non-fiction on TV, and we had no reference point, so we all were just excited to see cameras around us.

I've been in three sort of... I mean, I'd say they're groundbreaking series, if only because of the creators. One was 'Max Headroom', another was 'The Larry Sanders Show', and the third was 'Arrested Development'.

Prior to 'The Shield,' basic cable was just a wasteland of reruns and NASCAR. When we came along, I think there was a collective, 'Hey, if they can do that, why can't we?' from the basic-cable networks of the world. We ended up being the cornerstone for a network, and a great one.

I want to make smart television.

I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.

Everyone gives 'Picket Fences' credit for being so willing to delve into issues that now would be no big deal. But it was then. It was ahead of its time.

What podcasts can do in order to liven up the talk show area of TV is bring new personalities and unique worldviews into the fray in a way that's not going to be filtered through the whole Q-rating thing. I think there's a whole new layer of doing things that TV is behind the Internet in figuring out.