My mom was a folk singer and Celtic harpist. My dad was in a barbershop quartet and my great grandma was an opera singer. As I grew up, I discovered pop music and Top 40 radio, but it was in the '90s, so music was very different then - it was really lyrical.
Or like in the early 70's when we had the reaction against acid rock and all the fuzz tone, and feedback, and the noise. And you had James Taylor and everyone went acoustic and that.
I've played in pipe bands in Scotland, and I've always played guitars and drums and stuff.
Look, when I started out, mainstream culture was Sinatra, Perry Como, Andy Williams, Sound of Music. There was no fitting into it then and of course, there's no fitting into it now.
My grandparents from the old country, Latvia, were all musical on my father's side.
My father was a painter. There was a lot of singing. We hung around with a lot of folk musicians. My family knew a lot of great folk musicians of the time, like Woody Guthrie, Paul Robeson, Leadbelly. They were all people we knew.
What you have to understand is that blues... it's in a line from the oldest forms of African music. If you're playing it like it's an echo of the past, it would be a lot less exciting, but this music lives today.
I have been interested in Irish traditional music for the past few years.
The 1960s were big for folk music, and the Kingston Trio led the way. They were the ones who started it all. The music was fresh and alive. College kids loved it and their parents did, too.
With the advent of radio and recording, music became an industry rather than just a tradition.
Hawaiian music is beautiful and simple.
There's always talk about the blues dying out, but it won't.
Every week, Dennis Day sang an old Irish folk song. And next day in the fields, I'd be singing that song if I was working in the fields.
I don't really think of myself as a folk singer.
The destruction of Chinese traditional culture didn't start in 1949. It started long before that, with the succession of revolutions. It was particularly bad during the Cultural Revolution, the destruction of traditional Chinese culture.
I don't compose rap songs or party numbers. I only compose folk.
I'm a traditional singer-songwriter. I have a more organic sound.
Mostly folk music is people with fruity voices trying to keep alive something old and dead. It's all a bit boring, like ballet: a minority thing kept going by a minority group.
My country stuff, it might sound like Hank Williams - that's just the way it is. But I'd rather sound like Hank Williams than Trace Atkins.
I don't really have a favorite bass player. I listen to a lot of bluegrass. But then again, I'm not a typical bluegrass bass player. I was really into the Grateful Dead, and I still am - I don't listen to them too much, but for me they are a big influence.
The first songs I learned was 'Crazy' by Patsy Cline and 'At Last' by Etta James. I had been growing up with the Beatles, Pink Floyd, great bands.
The music that I first fell in love with was American music, really. Nothing against British acts - I love them and will forever - but on the whole, it was the art of American storytelling in the kind of folk and blues lyrics that, if you scratch a little bit, there's a heartbreaking story there.
The first songs I learned were 'It Takes a Worried Man' and Woody Guthrie's 'Grand Coulee Dam,' 'Rock Island Line' - those kind of American folk songs that were probably on the edge of blues. After that was Eddie Cochran and Chuck Berry songs. And then I heard Muddy Waters, Jimmy Reed and Big Bill Broonzy on the radio.
And I've teamed up with a choir from home. They're called the Gori Women's Choir. They're a 23-piece all-female choir, and they've been going since the '70s.
When you've heard one bagpipe tune, you've heard them both.
