Touring Schedule Quotes

I have been touring since I got my first band in 1962, so there is no problem there. We are basically performing musicians, so that's what we do.

My Vegas act is how I make my money.

Although he loved performing live, and was great at it - Jeff was as solid on stage, as he was in the studio - performing for two hours at a stretch really took a physical toll. It was very hard on him.

We just done doing The Blessed Hellride tour and Ozzfest.

Wu-Tang has only done, like, three rehearsals throughout our whole career.

Every year that I go out on tour, I think about all the craziest ideas that would be great to go out with, and I think, 'I should see if Jeff Beck wants to join my band for a month or something.'

At the end of the day, a playback singer has to depend on live shows as their source of income.

There hasn't been one highlight that stands out... but touring and performing has been great.

I enjoyed the idea of going and playing live. My beef was always with Wings that we never played live enough.

I'm quite tame as touring musicians go.

That's usually what happens with AC/DC: you make an album, and then you're on the road flat out. And the only time you ever get near a studio is generally after you've done a year of touring.

I was required by Capital to release one every six months and the fastest I could do with all my touring was every nine months, and it would spook me every time because I never had what I needed and I really didn't want to do covers.

Rarely do I do film press because I'm so low on the food chain of the movie, and for me it's just this thing I did for four weeks before the next tour started.

I just want to live on the road. I can't understand artists that don't want to perform and, like, get on stage and do their songs for all their fans every night. If I'm not performing every night, I get totally depressed. I know that sounds really weird, but I hate sitting at home and not having a 1 A.M. performance now. It kills me.

Large podcasts have a successful and sustainable business model in live show touring.

I pretty much live on my tour bus.I do well around 300 shows a year. A lot of times I will do two shows a night.

Yeah, I think we have to. If we want our shows to be - if we want the quality of the shows to be good, and we want the energy to be high, and if we want to be in good enough physical shape to do them, and not exhaust ourselves on the road, and not get stale, we have to pace.

I think a lot of it is that we used to tour so much that we never really had time to write songs.

I have to continue to work, and I have to be touring, because that's how I earn a living.

Audioslave was something that I felt had become a career decision. It became three albums over a period of years touring with a specific group of people.

I always think I'm going to record a lot on tour but it's always hard to fit it in the schedule, and there's a whole lotta' other extra curricular activities that happen on the road.

I don't do interviews at all when I'm on tour, so this time, on a day off, I'll do that kind of thing a little bit. I don't do big promotion schedules, not when I'm touring.

My favorite venues are the 2,000 seat theaters, like the Warfield. If there was a Warfield in every city, I would play it. That's all I would do. I love venues like that.

I'd become very involved in the production, so the albums were taking longer. So it was never a deliberate decision not to do live shows. A few times, I've thought about doing them again, but it's just kind of never happened. I've just sort of gone the path of becoming a recording artist I guess.

I tour more than I need to, more than is good for you. But it's my favorite part of music. I much prefer it to studio work.