Tour Promotion Quotes

I remember a tour where we played 50 cities in 56 days. We also went to Europe a couple of times.

It's very hard to tour.

If you're doing 70 gigs in a tour, there's a lot of responsibility. People need a big night out, and you're providing it.

I want to write my own music, and I want to tour.

I really have paid no attention to social media. It's never been something that I've done. There are people that put up tour dates and basically say what's going on, but I need to get more involved, because I hear about rumors that are absolutely ridiculous.

You open up a lot of tours making nothing just for the fact that you need to start somewhere and get some exposure. When you start to headline your tours, all the money is in headlining, but there's no money in headlining small rooms.

If Shakespeare had to go on an author tour to promote Romeo and Juliet, he never would have written Macbeth.

Traditionally, tours were a means of promoting a record. Today, the record promotes the tour.

Comedians do movies and TV so that when they tour, they sell out. That's the goal: To get popular enough so the place is packed.

If it wasn't good, I wouldn't be going back out on tour.

Touring is a tough plane to get off the ground, and it takes a lot of hard work and a lot of investments.

The reason I don't tour is that I don't know how to front a band. What would I do? I can't really play anything well enough to deal with that situation.

I still continue to do at least four concert tours a year, and in many cases, as many as six.

My main professional experience is touring in a rock band.

I cultivated this fan base that I really didn't really understand or appreciate until I put my first headlining tour up for sale. 500- to 1,000-capacity rooms weren't an underplay for me at the time. I'd never done a tour before!

I'm thrilled to have Corona join me on my 'X100PRE' Tour to give my fans a taste of Corona Estereo Beach and showcase their support of Latin music. It's not solely about the music - it's about the culture, creativity, and contributing to the movement that connects us all together.

But for me, I thought you made a record, you got on a bus, went out and played your shows and made a lot of money. That was the way it was supposed to go down. But there's a lot more to it than that. There are a lot of early mornings, late nights, a lot of traveling, a lot of being away from home, being away from your family.

If we see someone, an artist who just does magnificent art, and especially if they're already doing Ghost-related art, we just reach out and start collaborating. But when it comes to the record sleeves and the tour posters, I'm usually quite particular.

The best compliment I get every year is that a band will write me and say, 'We were just on tour, and we had people coming to our show saying they had never heard us before they heard us on your show.'

There's so much you can learn from being on a big tour and so much you can learn from being in the clubs.

We're playing small clubs and doing it all in a van. I have management, and they've done a good job of getting our tour plan together, but we're still having to go and rent the vehicles and all the little things you need to do. You really have to watch your budget.

I've been on big tours ever since I started, but you can't just go out there and headline, you have to do it right.

I don't waste time putting money down, I just go straight to who got it and buy it in cash. Pussy so good that you gotta come see me on tour and you gotta fly in first class.