Theatrical Style Quotes

Shakespeare, with an improved education and in a more enlightened age, might easily have attained the purity and correction of Racine; but nothing leads one to suppose that Racine in a barbarous age would have attained the grandeur, force and nature of Shakespeare.

My father and my uncle used to be amateur monologuists because their generation grew up with Henry Irving and the like, and they had that style of delivery, of declamation: 'The Belllllls!' What we call 'ham' now, larger than life.

A British actor will savour every syllable of a Shakespearean line, while a French actor will drive to the end of a sentence or a speech with a propulsive rhythm: the thing you never say to a French actor is, 'Take your time.'

In TV, and in particular in commercials, you don't really need to explain very much at all - you just say he's a spy and he's a little bit theatrical and overblown and smug and he's not very good at his job.

It's just that the characters are speaking their mind. As opposed to it just being an expression, they're actually saying what's on their mind, and that's something that Tennessee Williams is really famous for. Shakespeare does that and Tennessee Williams does that. You crave that, when you're an actor, for sure.

Some actors are brilliant in David Mamet, but they would crash and burn in my plays and visa-versa. You either have my music in your body, or you don't.

A Dumont actor was considered to be too stilted - the way we Dumont actors used to speak.

You cannot say, because I am from Naples so I like the mixture of drama and comedy all together.

'Babel' is a continuation of a project; it's not like now we are more theatrical. We've grown up, seen places, been places, and that is shown in this album.

I could wish there were a treaty made between the French and the English theatres, in which both parties should make considerableconcessions. The English ought to give up their notorious violations of the unities, and all their massacres, racks, dead bodies, and mangled carcasses, which they so frequently exhibit upon their stage. The French should engage to have more action, and less declamation, and not to cram and to crowd things together to almost a degree of impossibility from a too scrupulous adherence to the unities.

I've done quite a lot of improv work before, and I wanted to do this film ["The Invisible Woman"] because it felt like a different technique. We were very true to the lines, and there was something quite formal and almost theatrical about it.

I dress a little strange. I dress a little theatrically.

I think Ralph Fiennes has had a really wonderful career; there's something sort of classic about him. He does a bunch of different projects, but he approaches the work from a very sort of artful way.

It was - I'm very didactic in my lyrics, but I've always been drawn to mock my own emotions, and so I write this very lyric-heavy stuff, which suits theater and comedy much more than it suits pop.

Stage outfits are loud, outspoken, glamorous, fancy, and very different from normal day-to-day clothing. Therefore, by its nature, it is experimental.

I like musicals that look more like plays.

'The Hateful Eight' is like theatre.

Most of my avant garde fashion is saved for my videos and for the stage. In real life, I tend towards a classy, black Goth look. I love black, a few sparkles, false eyelashes and boots. But when I perform, I love fantasy and props.