Synchronized Movement Quotes

Through a shared aim, shared needs, shared love of a shared result in theatre, from the creation of space... the coming-together of an endlessly repeated climax of shared performance, again and again, something special can appear.

Both parties accept this vision. But we can reach it only if we move rapidly and in parallel on all fronts. The so-called 'sequential' approach has failed.

Ballroom is two people dancing together to music, touching in perfect harmony.

It is hard to get animals which normally pay little attention to each other to do things together. One can teach dolphins to jump simultaneously out of the water precisely because they show similar behavior spontaneously, but try to make two domestic cats jump together and you will fail.

I would like it if four people did a cartwheel all at once... so I can make a cart.

Anything worthwhile is hard, and dancing is very hard, and if you've ever studied dancing of any kind you'd know that to be in precision, three people dancing together.

When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the joy of seeing the rhythms of many as one, a visual rhyming or music in which everyone senses where the motion is going.

For ballroom dancing, remember that your partners have their own distinctive styles also. Cultivate flexibility. Be able to adapt your style to that of your partner. In doing so, you are not surrendering your individuality, but blending it with that of your partner.

Then came the choreography... the impact of music and choreography tends to really emphasize an overall feeling of what you really want out of the program.

The whole universe is based on rhythms. Everything happens in circles, in spirals.

The most difficult thing to pull off in a musical is the choreography.

When the music and the characters are flawlessly synchronized, the opera develops an emotional force that movies and plays cannot match.

For me, what makes Liverpool special is that they are a team that works very well on the lines, very compact, in which everyone attacks and defends.

In 'Jonaki,' it isn't about the individual actor. The actor is as important as the wall, or the water flowing down the wall, or a shadow. That kind of acting is also fascinating to me, not to be invisible necessarily, but to be in perfect synchronicity with the environment.

We were grooving, at that point, in the same direction, but remember, Roy Hamilton and myself were going into a path and a direction that had no programming.

A perfect run has nothing to do with distance. It's when your stride feels comfortable. You're on your toes trying to push it. Suddenly you realize you can open it up a bit more. You know you're at one with yourself and the environment. You're a little more alive than before you started.

It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.

Reporters are like blackbirds sitting on a telephone wire. One flies off and they all fly off. One flies back and they all fly back.

The reason why the race of man moves slowly is because it must move all together.

If you don't know a lot about figure skating, it's easy to fall in love with ice dancing because it's so romantic and so theatrical.

We all can dance when we find music that we love.

It takes two to tango; when I go, you go.

The pleasant surprise for me is that when I look into Tony's eyes, he's still 100% present, sharing everything that's going on. Acting with him is like a beautiful dance.

The Barcelona players have reached an amazing mutual understanding that they can play with their eyes closed.

The whole point of this game is that everything flows together in one simple movement... it should just flow and be fluid. And that's what I want to bring to the table every single time I fight. And I enjoy making it look, you know, like an art.