Symbolism is the language of the Mysteries. By symbols men have ever sought to communicate to each other those thoughts which transcend the limitations of language.
In spirituals, the talk of heaven and deliverance was code for a better life. 'Crossing the River Jordan' was code, of course, for escaping to freedom.
As a boy, I used to look upon the hieroglyphics as so many wonderful pictures.
It's very strange when people get so focused on what a song means, what actual events inspired a song. That gets people really excited for some reason... But that's what's great about music - however people interpret it, whatever they see, is what I want to be there for them.
Mathematics is a language plus reasoning. It's like a language plus logic. Mathematics is a tool for reasoning.
We don't communicate in full sentences anyway. We don't need all those words.
A poem begins in delight and ends in wisdom.
Art is our chief means of breaking bread with the dead.
In terms of the mechanics of story, myth is an intriguing one because we didn't make myth up; myth is an imprinture of the human condition.
Everything has become so easy. It's great that it's at your fingertips, but I miss those good old days. And we're connected, but it can be very alienating. There is this distance between all of us because we're speaking to each other through cameras and monitors and icons and Emojis.
If geography is prose, maps are iconography.
The aim of art is to represent not the outward appearance of things, but their inward significance.
Symbols and emblems were everywhere. Buildings and pictures were designed to be read like books. Everything stood for something else; if you had the right dictionary, you could read Nature itself. It was hardly surprising to find philosophers using the symbolism of their time to interpret knowledge that came from a mysterious source.
I don't say everything, but I paint everything.
It is necessary for the Bible, in order to be accommodated to the understanding of every man, to speak many things which appear to differ from the absolute truth so far as the bare meaning of the words is concerned.
I can do hieroglyphics in the margin. There are days when I really enjoy the flow of ink. I mean, nice pen, ink straight on to the page.
Poetry does so many different things, it's difficult to say anything definitive about its role, which of course varies from culture to culture. It can range from being stories of the tribe to the private lyric, to being as W.H. Auden said "the clear expression of mixed feelings" to nonsense verse.
A good poem is an amazing thing: a perfectly distilled, articulate moment. It opens you up - sometimes slowly, like the blooming of a flower, and sometimes with a quick knife-slice.
The more words we are allowed to take, the freer we become. If our mouth is banned, then we attempt to assert ourselves through gestures, even objects. They are more difficult to interpret, and take time before they arouse suspicion.
Censorship is the mother of metaphor.
Cultures are never merely intellectual constructs. They take form through the collective intelligence and memory, through a commonly held psychology and emotions, through spiritual and artistic communion.
To me dreams are part of nature, which harbors no intention to deceive but expresses something as best it can.
The poet, by composing poems, uses a language that is neither dead nor living, that few people speak, and few people understand We are the servants of an unknown force that lives within us, manipulates us, and dictates this language to us.
The Qur'an is in many ways far less concrete than the Bible, relying on the esoteric more often than the apparent.
Rational intelligence is dangerous and leads to ratiocination. The painter is a medium who doesn't realize what he is doing. No translation can express the mystery of sensibility, a word, still unreliable, which is nevertheless the basis of painting or poetry, like a kind of alchemy.