Suspenseful Storytelling Quotes

my crime books are actually novels and are written as such. One might even say that each one is really two novels, one of which is the story I tell the reader, and the other the buried story I know and let slip now and then into a clue to whet the reader's interest.

I define a thriller as a big-stakes, multiple-viewpoint novel involving suspense, action, and mystery, in which the reader doesn't know everything but usually knows more than any single character.

Stephen [King], who wrote the script himself, was on the set [of The Stand], and I was just so fortunate to get to know him. What a wonderful man. He may go down in history as the greatest American writer, pound for pound.

I've only read three books by Stephen King. When I was 10 I read 'The Long Walk,' one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read 'The Dark Half,' which taught me a word I have never forgotten: psychopomp. Now I have read '11/22/63.'

I don't know, a lot of people go crazy about 'Breaking Bad,' but I don't like the soap opera aspect of it and only following one character. I like the context to all of it, all the pieces, like 'The Wire.' It's more about the state of things; it's not about the narrative of a person.

Absolutely breathtaking, nail-biting, and edge-of-your-seat. Michael Koryta is a master at maintaining suspense and a hell of a good writer. THOSE WHO WISH ME DEAD is one of the best chase-and-escape novels you’ll read this year-or any other year. The pace never lets up.

Michael Koryta isn’t just one of the finest authors working in the crime genre today. He’s simply one of today’s finest authors, period. His stories are taut, compelling, and beautifully rendered. His understanding of human nature-the good, the evil, and all the gray between-is masterful. THOSE WHO WISH ME DEAD is Koryta at his best.

It's always very important to me to try to create a story that feels unpredictable. You can't jump ahead and see what's coming, but at the end, when you've watched the whole thing, it all feels inevitable.

The detective story itself is in a dilemma. It is a vein which is in danger of being worked out, the demand is constant, the powers of supply variable, and the reader, with each one he absorbs, grows a little more sophisticated and harder to please, while the novelist, after each one he writes, becomes a little more exhausted.

I think the great thing about the Jack Ryan films is that the plot and the story always take center stage. If you've done your job as the actor portraying Jack Ryan, you are present enough to make an impact, but you let the story shine.

It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.

I've been reading Peter Straub since I was a teenager, and his work is hardwired into my brain. A Dark Matter contains echoes of all that has been great about Straub's previous work and builds upon it. This Rashomon-like tale is as spooky and frightening as anything he has written, but it's also an intense and moving celebration of love. Out of the darkness comes, ultimately, a surprising and haunting sense of joy.

Watching familiar characters take unexpected turns is very appealing.

I think the "crime novel" has replaced the sociological novel of the 1930s. I think the progenitor of that tradition is James M. Cain, who in my view is the most neglected writer in American literature.

I hate when you see a film and after one scene you know what's going to happen and you can predict the whole story.

It's tricky to do a serialized show and not lose viewers along the way because you really have to watch every episode.

I still think that of all the people doing top fiction today, John D. MacDonald is the best.He was my model as a kid. If there are people out there that want to write, all you need to do is read 20 of his stories to get an idea what it takes to make a story kick over.

I think human beings will always still really enjoy using our imaginations, and 'Fringe' allows you to do that. It's slightly scary and believable. There just might be an alternate universe. There just might be people on the other side that are like us, living a different life.

Writing an informative yet compact thriller is a lot like making maple sugar candy. You have to tap hundreds of trees - boil vats and vats of raw sap - evaporate the water - and keep boiling until you've distilled a tiny nugget that encapsulates the essence.

If you care about the characters, then whatever scary thing happens to them, you feel it even more.

Chevy Stevens is in top form. ALWAYS WATCHING is a tense and twisty exploration of dark memories, hidden pasts, and a place that seems like heaven but might be hell. This is a deep and exciting novel, as unsettling as it is gripping.

I'm a Stephen King fanatic.

Withholding things in a story is no good if you aren't building to something substantial. It becomes foreplay without the main event, and no one wants that.

If it's commercial fiction that you want to write, it's story, story, story. You've got to get a story where if you tell it to somebody in a paragraph, they'll go, "Tell me more." And then when you start to write it, they continue to want to read more. And if you don't, it won't work.

The horror genre is fun but I'm not sure it is quite right for me.