Chris Pavone Quotes

Michael Koryta is that rare author who is at once a compelling story teller and a fantastic writer. From the first sentence of THOSE WHO WISH ME DEAD, you'll be under his spell. His characters are living, breathing people you'll care about; his setting is a place you'll visit and stay-long after you've decided to leave because you're scared. You can't leave; you're trapped. There are too many nerve-jangling, beautifully written, razor sharp moments and you won't want to miss a single one. This is an absolute sizzler.

You don't have to underestimate your audience anymore. They'd actually like to laugh a little bit. So, the character came to me and once it's got its grips in you, there's nowhere to go.

I think that doing comedy and playing Dwight is a service. Not to get grandiose about it, but I have a talent for playing oddball characters and I can make people laugh and that can help bring families together and people will really enjoy it and it puts a smile on their face and I think that is a really great thing.

I got to play a funny part [in the The Master Of Disguise]. There was one thing my character did that involved flatulence and laughing at the same time - that was in the script - and that was basically what sold me on it. I really thought, "This can't help but be funny." And when I saw the film, I was proud that I'd had those moments.

Everybody has their favorite character.That's the only way I pick, whatever is going on in society, whatever I think folks will laugh at that's what I come up with.

You're not just looking for laughs, but you're trying to do the characters first, and then the laughs come afterwards.

When you see these characters like Captain America or Thor, laughing at their own situation or about how strange they are, then you are able to accept more readily that it's fine to wear a cape. You can also accept that it's fine to be enormous and green, or to shoot arrows at aliens racing through the sky. It all makes sense if you've been able to laugh at it and with it.

I wasn't a great improviser when I started there; I'm not really up on current events. I would always just mug, just try to get my laughs from making faces. So I decided to do a character who should never have become a comic - somebody you would see at the Comedy Store and go, "This person is never going to make it."

There can be a blurry line between laughing at the expense of a character and laughing at the recognition of something painful and true. But blurry as it may be, it is nevertheless unmistakable, and sometimes the laughter I hear makes me wince.

You have to think about good storytelling and characters first. Then hopefully, the rest of that stuff will follow, some more than others. But if you don't have a good film and strong characters, then you don't have anything down the road.

Oliver laughed - actually laughed."I like this new Claire," he said. "You should work her this hard all the time, Myrnin. She's interesting when she's forthright." Claire, possessed by the spirit of Eve, shot him the finger. Which made him laugh again, shake his head, and walk up the steps.

Don't trust people who don't laugh. I don't.

A grave aspect to a grave character is of much more consequence than the world is generally aware of; a barber may make you laugh, but a surgeon ought rather to make you cry.

I'm not great at fear. I made the least frightening vampire show ever on TV. I'm pretty much good at heroic narratives and making people laugh, and that's pretty much it.

For my part, the good novel of character is the novel I can always pick up; but the good novel of incident is the novel I can never lay down.

I'd love to do comedy. I'd probably have to get my laughing fits in check, because generally if I've done comedy, I'm usually the straight character that plays against the very obviously funny character, so that's really hard when the person is really hilarious.

It is one of the defects of my character that I cannot altogether dislike anyone who makes me laugh.

THE THREE is really wonderful. A mix of Michael Crichton and Shirley Jackson, hard to put down and vastly entertaining.

When there's characters out there that don't have humor, I don't find them as believable, because we all have humor, no matter what level it is, we all use it every day, no matter what situation we're in, we'll try and have a bit of a laugh even if it goes wrong.

Everything you could want - action, suspense, character and setting, all floating on the easy lyricism of a fine writer at the top of his game.

Kids, if anything, are harder to write for because they are a more discerning audience. They will not stay with you if you go off on a tangent or if you give them extraneous information that doesn't serve the story. You really have to tell a tight story. You have to give them humor and suspense and believable characters. All those things that adults want too, but you have to be really on your game when you're writing for kids.

All of us have schnozzles... if not in our faces, then in our character, minds or habits. When we admit our schnozzles, instead of defending them, we begin to laugh, and the world laughs with us.

What people like are things to laugh at. Funny shows. It's all in the execution, the writing and the characters, not the setting. And the writing and the execution and the characters are GREAT on (Everybody Loves Raymond).

Jokes that make me laugh out loud when I write them almost always bomb. I have no idea why.

The landlord's laugh was ready chorus.