Situation Comedy Quotes

'Yamla Pagla Deewana' is not slapstick but a situation based comedy.

Most people laugh at situations rather than a tagline anyway.

It's the opposite on a sitcom. People crave the character to not learn from their mistakes. They want to just see the situation, and then see how that character is going to react to that particular chaotic catastrophe. That's just my take on it, anyway. I don't really get too hung up on what the future of the show is.

SpongeBob is a complete innocent - not an idiot. SpongeBob never fully realizes how stupid Patrick is. They're whipping themselves up into situations - that's always where the humor comes from.

Situation comedy on television has thrived for years on 'canned' laughter, grafted by gaglines by technicians using records of guffawing audiences that have been dead for years.

My bag is acting or getting into an amusing situation and then sharing my amusement.

I was writing for live television. And I said to myself, someday, soon as I can, I have got to do a situation comedy.

Even when I was on Curb Your Enthusiasm I wasn't this "over-the-top" crazy character. It was still kind of play it straight but it was funny because the situation was funny. That's kind of how I portrayed things and I like dramas; I like to be able to - because in dramas you can laugh and joke and still be serious, be real. I like the realism of them.

'Wings' was a blessing, but it was also very difficult. Whenever you do situation comedy, no matter how excellent the execution - and we had a great cast and great writers - but the format is somewhat limited.

I think good comedy is a commitment to the absurd in that the situation for the actors should be virtually played like a drama.

People are meant to be certain places, and I think I'm meant to be on a sound stage doing situation comedy.

You can't do every movie - although I do a lot of them - and the thing I'm longing to do is... it's not that I think I'm funny... but I long to do a situation comedy.

There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.

I asked Mr. Vann which O levels you need to write situation comedy for television. Mr. Vann said that you don't need qualifications at all, you just need to be a moron.

I'd like to come back because I really miss doing situation comedy.

The male image has been so pulled down by situation comedy in the last 15 years, it is frightening. I don't like what has happened to the American male.

Don't get me started on BBC salaries. We were never the big league. Situation comedy has always been the poor relation in the television entertainment business.

There are a lot of great jokes you can sit down and write, but that's just a written joke, versus the comedy of the situation. Ideally, you're pulling as much comedy out of the situation as you can.

'Family Ties' was a very successful situation comedy. And, in almost every respect, it functioned on a day to day basis like a well-run, well conditioned basketball team. The show was performed live each week in front of a studio audience on Friday night.

I've an idea for doing a Situation Comedy myself but its always difficult to get people to listen to you because they like to put their own ideas forward.

We're delighted that Freddie Flintstone and his friends have made such a hit. The comedy is not the old cartoon slapstick. Most of it is situation stuff and dialogue.

Certainly situation comedy is harder than people who are good at it make it look, but it's fun to do something different.

'Portnoy's Complaint' was very far out there, and movies have always worked when you have either a funny situation between two or more people or a very dramatic situation. There's not that much difference.

When you talk about a character on a situation comedy, it's not just the actor. It's the writers, too.