We shot 'Tevar' in Mathura and Agra, 'Mom' was shot in Noida and Greater Noida.
On 'State of Affairs,' we're going after some names that you wouldn't think would traditionally do TV. A show that shoots in Los Angeles is such a rare bird in hand that I think we're gonna have the pick of the litter.
The reason I chose the movies that I did was based on where they were being filmed.
Puerto Rico is beautiful. I mean, I love it. But it's hard to film here. It's hard to film an action movie here where you're outside, and you're running around all day.
It's fun to work on location because you get the look and feel of everything, but it's nice to be on a stage because you can control the elements.
Why isn't the movie industry forced to open its shooting locations to an organization that is there to advocate for animal actors? The industry isn't allowed to pick and choose which movies using young children it will or won't allow to be monitored. The vulnerable should be protected.
It was great to work in Ireland because it's such a beautiful country, but it's not particularly easy to film in because the weather changes all the time.
'You Can Count On Me' took 20 days to shoot, and we had 50 days to shoot 'Margaret.'
I've been to Chennai several times for modelling shows and shooting ad films. It's a great place to come back to because the people are warm and welcoming. I've never had the opportunity to actually see the city, but whatever places I've been to have really caught my attention.
The way I work with my cinematographer is not based on general principles, but the ideas are triggered by the locations where we shoot.
Haryana has some beautiful places for film shoots.
If you've got five cameras, you're making sure that you're in the right position for each one of the cameras.
I guess for me - in the TV commercial world I was known for shooting locations, beautiful landscapes and things like that - so, it's interesting.
I love shooting in New York because I love the city. Ultimately, I like doing it there and the city is important to the story, but it can be hard to shoot where you live too because it is so all-absorbing.
I like filming in New York a lot myself, but London is accommodating to me; the weather's very good there and the conditions for shooting and the financial conditions, the artistic conditions are good, so it's a pleasant place to shoot.
For 'Vikings,' we have to do so much outside shooting, and it's normally - I think with American shows, it'll be 60 or 70 percent inside and a little bit outside, but with us, it's almost 70 percent outside, and that's huge and really difficult.
I have always loved South Africa, where I shot 'Andaz' and 'No Entry.' Some of the biggest films of my career have been shot in Cape Town.
I mean I feel like we've shot all these different movies. Like the first 2 weeks of shooting was all Steve Stills apartment and band rehearsal, you know? And so it was like this tiny little group of people and small set comparatively and it just looked like a Toronto apartment. And then we sort of kept ramping up further and further until now we're here in this giant like craziest set I've ever seen with LCD crazy lights that go....you know?
