Alison Pill Quotes

Nobody could dissapear to their trailer once it was up and running, you were all there on the same stage. It was 10 days of rehearsal and 10 days of shooting, which was very tiring.

The first year we actually did a lot of night shooting and the writers weren't even allowed on location.

Quite a few movies are starting to film in Florida.

Las Vegas, New Mexico has had a lot of great movies shot there.

You never get fans hanging out on movie sets. It just never happens.

The production scale of 'Okja,' which I had never experienced before, was jaw-dropping. Not only the actors but also all the staff were experts in their fields.

We shot 'Lucas' in 42 days; that's a lot of filming.

We shot 'Tevar' in Mathura and Agra, 'Mom' was shot in Noida and Greater Noida.

I think movie sets can often be stressful, and people take themselves very seriously.

'You Can Count On Me' took 20 days to shoot, and we had 50 days to shoot 'Margaret.'

'Chocolat' was a joy to make, as we were filming in beautiful locations in France and England. Lasse Hallstrom is such an amazing director - overall it was a wonderful experience.

I was raised on movie sets, and I decided for myself at a very young age that it was what I wanted to do.

I love the industry that I'm in. I love what I do, and I've sort of grown from being an actor and being on set. I take it all in, and I talk to the grips and the Best Boys and talk to lighting guys. I talk to everybody and see what they do and pay close attention.

I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.

All the 'Hunger Games' stuff, we had a fantastic production designer, and he built amazing sets.

I'm always very, very careful when the movies happen and where they happen.

I was in Nashville quite a bit when I shot 'Nashville,' and I was in Los Angeles when I shot in 'Supergirl'.

It's not unknown that Vancouver is a huge destination for television and film. It has been for many years. It just seems to be that I'm drawn to the show that shoots in Vancouver.

On my first movie, there were three women: the body-makeup girl, the hairdresser, and the secretary of the producer.

I made 'Super' for $3 million, and that was filmed in 24 days. And that $3 million dollars went to a lot of things other than what shows up on screen. Once you get done with the unions and everything else, that's just, like, the basic cost of what you can make a movie for.

There's so many interesting aspects of making a movie: the costume department, the set design, the casting itself, the locations.

My mom's a screenwriter, and before that, she was an actress, and my father was an actor; my stepfather was a director, so I was on sets a lot as a kid. I loved the magic of the set. You walk in, and it's a living room, and you walk outside, and it's just a piece of wood held up by another piece of wood.

A film shoot usually wraps up in a couple of months. But television shoots involve longer hours of work.

I used Malta as a location to shoot a lot of my action sequences, and that's because we don't have the kind of setup that Malta Film Studios does. They have a world-class facility.

'CSI' was an amazing experience, which, looking back, I was very lucky to get. They shoot an entire episode in eight days, so everything has to be totally slick and professional.