Screening Process Quotes

Getting a gun should be easy for good people and impossible for bad people. The only trick is telling the difference.

I am more than glad to sit down and have a conversation about what is the best way to screen and determine the number of individuals that we should be allowing to come into our country.

It's not an Israeli model, it's a TSA, screwed-up model. It should actually be the person who's looking at the ticket and talking to the individual. Instead, they've hired people to stand around and observe, which is a bastardization of what should be done.

By no means do I anticipate screening those who come on to campus... And I have no difficulty if a bishop across the country or some local pastor may say that's not Catholic teaching - that's fine.

I don't know enough about the legislation , but I think the more information you can put in the hands of the people who are vetting, people who are going to be near children, the better.

We want to be sensitive to people's concerns about privacy about their personal being and things, while ensuring that everybody on every flight has been properly screened.

Unlike with any other art form, filmmakers have this unique web of festivals. There are hundreds. It is a democratic system in which you submit films, and if they are good enough, they play. The only barrier to entry is the submission fee.

I don't know - I haven't seen any of my movies after I finish them. I leave the editing room; I don't go back.

Security theater is the idea of putting on a big show of security in order to make people feel safe. That's why the TSA screens everything and takes your stuff away.

We save limited resources in terms of who we are physically screening. The approach will allow us to pay more attention to those potential terrorists.

And it's about a three-month process every screening. And that way we have seven or eight chances at the film before we have to actually build the models, build the sets, do the animation and all of that. So it's a - I think that's a real key to the way we make films.

At the first screening, there were a lot of areas that we went around and around about. Then we had our second screening. It played better. It's almost a reasonable length film now!

I'm like really bad at like remembering all these things, but basically we finished...we wrapped in August and we locked in February. It was like we did our first friends and family screening I would say 8-weeks after we locked...after we wrapped or 8-weeks after we wrapped.

We are in a struggle against radical Islamic terrorism, al-Qaida and ISIS. The president, in his campaign for office, made it clear that he would make a priority of confronting radical Islamic terrorism abroad. But also adding new measures to ensure that individuals would not be coming into this country with the motivation to harm our people. And we really do believe that this temporary pause with regard to the countries other than Syria, temporary pause where we evaluate our screening process and ensure that people coming into the country don't represent a threat is appropriate.

I'm the biggest proponent of test screenings now. There's two ways to face test screenings. For dramas, I don't know if I would rely on them as much, although I still think you need them, because you're making a movie for an audience at the end of the day. But with comedy... You could go through a script or anything I ever worked on, where you go, "This is hilarious," and you put it in front of people and you get nothing. And then the other side of it, is something you're like, "I think this is really stupid," and it gets a giant laugh.

An animatic is a process where every voice and every sound effect is added to rough animated drawings and it lasts exactly as long as the final movie. So you actually get to go into a screening room with the rest of the cast and you get to see it all at the same time.

It's rare that you cut out something that is really good. You screen all of it, and when the audience doesn't respond, you cut out whatever is holding the story down.

May I search it?" she asked. "We screen for weapons." I stared at her, always a risky thing to do to a vampire. "Of course not. I have no weapons.

Imagine if the political elites in our country were forced to endure the same conditions at the airport as business travelers, families, senior citizens, and the rest of us. Perhaps this problem could be quickly resolved if every cabinet secretary, every member of Congress, and every department head in the Obama administration were forced to submit to the same degrading screening process as the people who pay their salaries.

It's a big part of what we do - we test our movies extensively. I'm always there myself. It's sometimes difficult to sit through, especially if it's a version of the movie that's not working particularly well.

We are fortunate to have some of the greatest and best teachers in the world, but we want to make sure that those few that try to sneak through the system are caught in advance.

Few great men would have got past personnel.

Sex should not be in the movies and should be in the home, and violence should be in the movies and not in the home.

Sometimes I go to a test screening and look at the audience in line, and I start to go, "Okay, I bet this is going to work, and this isn't going to work." It's weird, but just going and facing the music and putting it out before a crowd, even before it starts playing, that exercise of putting it up on a screen for people makes you realize things even before it starts rolling. It's really weird. I've heard other people say that, too.

I always figured that once I wrapped a film, then anything beyond that is none of my business. If I can avoid seeing the final product, then all I have in my head is feeling good about the experience.