Real Emotion Quotes

Human emotion is more interesting than anything. Everything that is so overtly sexual is not real. Real emotion is sexy. It's vulnerable and raw.

Music is real. It affects people; it's real.

I'm not afraid to use my personal experiences and put them into a song. I think that's when you get the best stuff anyway, when it's real emotion.

With acting, a lot of it has to come from that real, honest place.

Actors are pretending for you, but they're not lying. They are not putting on a guise instead of themselves. They are finding things inside that they have experienced.

Music's supposed to be real. When it really touches you, it's supposed to be real.

Real human emotion is always interesting.

Real emotion is good - or doing a good job of faking real emotion.

When you first get sober, you feel like a superhero. You feel real emotion because you've been suppressing it forever. It's so much easier to navigate what's important.

There are contemporary artists that I hate with all my heart. These are provocateurs that are without feeling. Where is the real emotion?

You hear the word 'fake' thrown around wrestling, but it doesn't get more real when you hear the sound of 20,000 people coming unglued.

We live in a cynical world now, and it's nice to be part of entertainment that is hopeful and heartfelt and wears its heart on its sleeve, but isn't saccharine. It's real. It's grounded.

If you work from memory, you are most likely to put in your real feeling.

Any time you put a cast like this in compromising circumstances or shake it up a little bit, I think we're all pretty close so we draw on real emotion.

Comedic actors can be looked at as a lower form because we have to put ourselves in a lower place than most of the audience. I think lofty emotions are somehow considered more special. The best stories in the world to me are the ones that elicit a real emotion, but have humour.

I think really good drama comes down to real human emotion. That's what makes us all tick, and that's what I've always been drawn to when it comes to scripts is real human emotion and dealing with that.

At drama school I learned the Stanislavski technique, which uses sentimental memories and bits of your past to put real emotion into the scene.

There's still a feeling that uncensored emotions make a good song. They don't. Pure emotion is just somebody screaming at you, or crying. It doesn't communicate anything. It has to be mediated with some skill and craft, in order to communicate it to a second, a third, or a fourth person. That doesn't make it any less real. And it doesn't make it any less true. But it does mean that, yeah, it's the combination that makes it work.

My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.

You can't have the real thing on camera - that's the nature of cinema. When you see people like Daniel Day-Lewis and Ralph Fiennes screaming and hyperventilating, you're seeing the phoniest kind of bad acting. You may as well have a 'men at work' sign. It's not acting if you can see it.

I just want something that is real and that moves people. And just want to make something real.

You can consciously make a difference with music. Bob Marley is one of those few artists that everyone can say that they love. He makes you feel good. It's very real.

You just have to make sure you're writing about something that's true. It has to be honest and it has to have a real emotion behind it, regardless of where it's coming from.

My emotion is real, and my everyday life is filled with the same feeling.

I think there's still an appetite among a certain audience to see intelligent movies that have real emotion in them.