I read a lot of script. In my opinion, most of them aren't good or aren't about people.
Some of the material out there - I don't want to say that it's all bad - but there's a lot of bad stuff out there. You just continue reading scripts, and eventually you find something you connect with.
The problem is that you can't really read a script saying, 'Hmmm, I'll just see what this is.' You have to go right into it; you have to get engaged with it, and once you are engaged, you want to do it! It's really difficult to get uninvolved.
I think, because I've been working for a while, I've been working since I was ten, I had the fortune of reading a lot, a lot of scripts.
Everybody reads for me. I was never weird about that. I never minded coming in and reading. They should know if I'm the right person, and I should know if I want to do a movie.
Some actors don't even read the stage directions at all.
I read as many scripts as I can and just find stuff that I think is interesting, find stories that I think are worth telling.
I always find it fun to read a script and then find the messages in the script because I believe every story has them.
One reads many scripts, and some of them are good and some of them are not, but every now and then, one really grabs you. You simply can't put it down.
I now go to my dad's grave to read scripts and learn lines. It's the most peaceful place. I go to see him, and it's fantastic.
Sometimes reading scripts is terrible.
I just have so many scripts to read!
I practice reading all the time. I read everything and having so many scripts to read, which really helps out as well.
Many times, I like to read the script before I even know who they want me to play, so I can read it and really enjoy it as an audience member. I think that's given me the ability to ferret out the really special scripts from all the rest.
I have a lot of trouble with scripts. I have a lot of trouble imagining things while I'm reading them.
I read a lot of scripts, so I know by page 25 if I like it or not.
I ensure that I read the entire script of each project that comes my way. In fact, it is the script alone that evokes my interest in any film.
Some people say that they read the first 20 pages, and then decide if they want to do the film or not. But, I have to read the entire thing 'cause anything can change in a script.
I can't even read a script. I've tried and it's painful to watch.
When I read a script I either immediately identify with the character or I don't. If I find myself reading the part in my own voice I think 'This is a bit of a drag, isn't it?' and it's no good.
I respond to a part just intuitively when I read a script.
Reading scripts is actually quite a relaxing part of the job. Strangely relaxing. This is a whole different ball game.
You read a lot of pilots during pilot season, and not all of them really grab you.
Usually, I read the script very often. I think that everything is hiding in the script.
I think the part I enjoy most is reading the scripts and screening films because I'm a bookworm and a movie buff.
