Lauren Conrad Quotes

I feel much more comfortable as a writer than an actor. I feel like I am a much better writer than I am an actor.

For the moment, whenever I read, it is normally scripts. You start a book and then you think, 'I should be reading these five scripts.'

I read a lot of scripts, so I know by page 25 if I like it or not.

Sometimes you just dread reading scripts; it's like the chef who doesn't want to cook at home.

Some of the material out there - I don't want to say that it's all bad - but there's a lot of bad stuff out there. You just continue reading scripts, and eventually you find something you connect with.

I've read some scripts, but I don't read as many books as I should.

I'm terrible at reading scripts. I love to read, and I hate reading scripts.

I envision the script as a story in my mind, memorize the entire thing and have it play out. It helps me figure out where my character needs to go.

I get so many scripts a day but none of them inspires me. If I get a good inspiring script, then I will be most happy to make it into a film.

I don't have an 'actor cry.'

I actually never got in a play in school. My teacher said I never learned my lines.

It is so funny because I was always embarrassed because I never had formal training in acting.

I don't have to pitch movies. I'm no good at it!

I'm not a very good actor.

I don't read that many books - I tend to read scripts for projects.

I read a lot of script. In my opinion, most of them aren't good or aren't about people.

I found, after the experience of making 'Shaun Of The Dead' and then returning to the blank page - because 'Shaun Of The Dead' was the first screenplay I ever wrote properly - the experience of returning to the blank page and having nothing in the drawer was intensely painful.

Stevie Van Zandt could not walk on to a set and act. I don't know how actors do that! It's the scariest thing in the world.

Network cable reads are always kind of stressful because it's the first time everyone's read through it out loud.

It's difficult to just let go of a character. Especially after you've been preparing and researching for weeks.

There are many great writers out there and, actually, great scripts. The problem is - and this is what I've always felt, even when I got out of school and started reading scripts - the really smart, character-driven stuff tends to be smaller films, and they just don't get made.

I find that with every script I get, I go, 'Who knew this? This is so cool!'

I was reading scripts, doing coverage, for CAA. Reading hundreds and hundreds of scripts across the board, from blind submissions to 'Brokeback Mountain'. It was not always a pleasant task but something, in hindsight, I'm glad I did.

I became a script writer with absolutely no idea of how to write a script whatsoever. I still feel a bit of an outsider in that regard. If I can maintain that approach to screenwriting, it can continue to be enjoyable.

I like scripts. I spend a lot of time writing them.