racial struggle Quotes

My honest opinion is that blacks have to fight much harder for their individuality than whites do.

History and the task of the future no longer signify the struggle of class against class or the conflict between one church dogma and another, but the settlement between blood and blood, race and race, Folk and Folk. And that means: the struggle of spiritual values against each other.

The history of the American Negro is the history of this strife – this longing to attain self-conscious manhood, to merge his double self into a better and truer self.

Black people in America, people from the struggle, immigrants, it's no generational wealth that we are attached to, so we are tasked to create - in one generation - closing the gap. That's why we so Doomsday about getting to the check: 'cause it's life or death for real.

You know what, man, that's part and parcel of being a black person in this country: everything's harder. It just is.

Black people have been working hard for decades.

Mine was an easy ride compared to Jackie Robinson's.

The white man is our mortal enemy, and we cannot accept him. I will fight to see that vicious beast go down into the lake of fire prepared for him from the beginning, that he never rise again to give any innocent black man, woman or child the hell that he has delighted in pouring on us for 400 years.

The struggle of African Americans is everybody's struggle.

There's a black man inside of me just trying to make bail.

I always had a deep affection for Malcolm and felt that he had a great ability to put his finger on the existence and the root of the problem. He was an eloquent spokesman for his point of view and no one can honestly doubt that Malcolm had a great concern for the problems we face as a race.

A European war is bound to come sooner or later in which the issue will be one of a struggle between Germandom and Slavdom.

The most interesting acquaintanceship I have struck up here is that of Colonel Lapinski. He is without doubt the cleverest Pole - besides being an homme d'action [man of action] - that I have ever met. His sympathies are all on the German side, though in manners and speech he is also a Frenchman. He cares nothing for the struggle of nationalities and only knows the racial struggle. He hates all Orientals, among whom he numbers Russians Turks, Greeks, Armenians, etc., with equal impartiality.... His aim now is to raise a German legion in London.

The history of the American Negro is the history of this strife, - this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost... He simply wishes to make it possible for a man to be both a Negro and an American.

Not for myself I make this prayer, But for this race of mine That stretches forth from shadowed places Dark hands for bread and wine.

You grow up with a heightened sense of the Civil Rights Movement, but I think it wasn't until I became of age that I really had a great appreciation for the struggle that took place.

I think I've been writing black poems all along, wearing my white mask. I'm always the victim ... but no longer!

Being called Black in America is the struggle to keep us moving and breathing over bloody water. Being a Nig**r or [Ni**a] without the context of history is like drowning in bloody water, dragging down those yet knowing to swim.

Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.

The same old caveman feeling-greed, envy, violence, and mutual hate, which along the way assumed respectable pseudonyms like class struggle, racial struggle, mass struggle, labor-union struggle-are tearing our world to pieces.

What I'm slowly realizing is that I believe that most of us felt that we could relax a little bit after November 2, 2008, because of the progress and the spirit that it took to get Barack Obama in The White House. And what we didn't realize, is that was really the beginning. That was really the beginning of the struggle and not the end of a struggle, to come from colonial times through slavery, through the Jim Crowe Laws, through the civil rights period to The White House as, like a point A/point B journey. Point B of course being the end.

American means white, and Africanist people struggle to make the term applicable to themselves with ethnicity and hyphen after hyphen after hyphen.

All the books that were being published by African-American guys were saying 'screw whitey', or some variation of that. Not the scholars but the pop books. And the other thing they said was, 'You have to confront the oppressor.' I understand that. But you don't have to look at the world through his eyes. I'm not a stereotype; I'm not somebody else's version of who I am. And so when people said at that time black is beautiful – yeah? Of course. Who said it wasn't? So I was trying to say, in The Bluest Eye, wait a minute. Guys. There was a time when black wasn't beautiful. And you hurt.

The enormous success of 2009's 'The Blind Side,' in which Sandra Bullock makes a black teenager one of the family, demonstrates that America isn't post-racial. It is thoroughly mired in race - the myths that surround it, the guilt it inspires, the discomfort it causes, the struggle to transcend it.

Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.