Project Goals Quotes

With each project I'm always pushing for clarity.

A great deal has been accomplished by the team, and I do think it important that it goes on and it is allowed to reach its full conclusion. In fact, I really believe it ought to be better resourced and totally focused on WMD; that that is important to do it.

Butterfly was certainly a vehicle for me, and if it died, it still would have served its purpose, in spades. We never expected it to give me the visibility it has given me. It was just a small thing as a vehicle, and suddenly the whole world knew about it.

When I sign on for a project, I'm there to give the director all the material he or she might need to tell their story, and that's the number one priority.

Something I learned early on in my career is there's no use trying to fool anybody about what you want to do on a project where there are other people involved, rather than your own thing.

A lot of planning goes into ensuring that every project becomes a super hit.

I don't like talking about any projects till they solidify and take off.

I need to be on the same page as the director.

I do not differentiate between a commercial and an indie project as long as there is a strong subject and the character in the script is relatable.

I wanted to go on a project which shows the mixture of Chae rin and CL, not just CL on stage or in a music video.

When I was doing the first 'American Pie' movie, I was just happy to have a job. We had a good time, and it was a great group of people, but like any project that I've worked on in my career, you just put your best foot forward, and you're all working together to make the best movie possible.

We've done all the work that HRC wanted on the twin and the project has been completed. We were consistently up there with the top guys and that is what HRC wanted to prove.

I want to challenge myself with each project.

Before I collaborate, it's important that I have a conversation about what I care about before we make anything, so that it's very clear.

I've always worked on all different types of music, some with specific project goals and deadlines and some not. Sometimes I would write a piece of music that is almost like a film score or weird electro pieces, wherever the muse took me, and I still do that.

We know Donald Trump wants to hit his goals ahead of time, and under budget.

What makes a good client, to me, is one that signed on for the strategy as well as the execution, not just the end product.

In short, you can't let the deadline define the mission. The mission has to define the duration.

You have to really work with someone who you think is going to be a collaborator, who you think understands what you want to do with this movie and how you want to do it.

Architects often have a mindset where you solve a problem, so you have a set of needs that you have to address. Often I feel that my projects have to have concrete applications.

In my experience, each project is what it is, and nothing is necessarily a turning point.

The goal for us to do with Squanchtendo is to approach all of our projects with a goal of adding interesting characters, personality, and a story to interact with in-game. Every game we make will be built from the ground up for whatever hardware it will launch on.

We as visual artists need to continue to be renegades and say, "Yes I am here to do a project, but what is the social service?"

The City project is much more than about signing a single player with a strong name, that would eventually cost a lot more.

When I go for a project, I wonder what underpinning a project will have that's going to give the audience some emotional access to it.