Professional Opportunities Quotes

I was sent to a nice Church of England girls' school and at that time, after university, a woman was expected to become a teacher, a nurse or a missionary - prior to marriage.

I think I've been lucky enough not to have to do movie after movie after movie for financial reasons, so I've been able to live life and also make movies. I didn't have to grind them out. I could go long periods where I was living life rather than tripping over cables.

If you are known to do something well, people want to see you do that. But what you choose to do is up to you. After 'Delhi Belly,' I got some 40 scripts - some on the same lines as 'Delhi Belly.' So, I guess people only get stereotyped if they want to.

I'm not so in a rush to direct just anything because I'm lucky that I can make a living so far as an actor and not have to worry about that as a director. And so I can be a little more choosy in things I direct.

I've been offered a few professional contracts... in the hundreds and thousands.

For some reason, I always get offered plays when I'm doing plays and then, if I stop doing them, people stop asking me.

After being in one movie, it didn't seem like that would be my life. I had done several jobs, briefly. I'd been a shipping clerk, I worked in a copy shop, I didn't think the acting was going to go on and on.

I never even wanted to be an actress. I studied mass communication and wanted to study law in Newcastle, for which I even got a scholarship. But by then, I had started modelling. So, I took a year off to decide what to do. But once you are used to working, it's difficult to get back to studies.

When a woman gets to 30, you ask her about having kids. I don't mind - all my friends are settled with kids, so I can understand people asking, and I even get it from relatives, but I'd be a fool to miss these work opportunities. And there's no time limit. One day I'll find my prince, but at the minute, I'm enjoying kissing a few frogs.

There's great stuff out there, but I prefer doing a TV show, going to work every day with the same people, and a lot of stuff is not being shot in Los Angeles and I don't really want to do that because my loved ones are here.

Sometimes you look at a movie and you can see that the actor or actress said, 'I'm taking this onboard because I'm making a ton of money, and not because it's going to be something special.'

I turned down a lot of work. I didn't want to ever feel defined by my ethnicity.

I didn't have to leave Celtic and go to England for money. It wasn't worth the hassle, and my wife and children felt settled in Glasgow.

Coming to Pakistan has been unbelievable. It is the best thing of my career.

I did grow up in Los Angeles. I actually didn't start acting until I was sixteen, so I was very removed from the Hollywood scene. I had always been in my school plays, but my mom and dad wanted to keep me out of the business until I was old enough to know who I was and not let anyone change me.

Had I not been a choreographer, I would have become nothing more than a traffic cop or peon in an office.

I'm a New Yorker, and working in New York was divine for me. I loved working there and going to work there, which I've been able to do three or four times in my career, and I just love it. It's my favorite.

I won't say I've closed the door on acting.

Getting to work with good filmmakers and getting to play good characters in films is so special.

I didn't dream of joining Man City as a professional one day, or representing England, because I didn't know that was even possible.

When I started in movies, they said I'd be this big star, but I was only a moderate one. Not enough good pictures. It's important to be in a good piece of work no matter the size of one's own part.

It's wrong to make a living off the theater. Theater should be supported, like redwood trees. You should make your living - whether you're a writer or an actor or a director - in movies or commercials. But you do theater out of love.

I think now is our time. My mother was told by everyone that she had two choices: She could be a nurse or a teacher. The external barriers now are just so much lower. If we start acknowledging what the real issues are, we can solve them. It's not that hard.

TV is sort of the only way to go for an actress my age to make a decent salary; with independent films, you just can't.

Even when I was in my 20s, very few of my friends even knew that I had alopecia. I kept it under wraps. I didn't want to let anyone know, and I didn't want it to affect my career or the possibility of me getting hired for a job.