Print Design Quotes

Of course, I did lots of what would be called graphic design now, what used to be called commercial art.

When you do a cheesy leopard print, it can turn out so wrong.

I think newspapers shouldn't try to compete directly with the Web, and should do what they can do better, which may be long-form journalism and using photos and art, and making connections with large-form graphics and really enhancing the tactile experience of paper.

My earliest design work was print, and that was my first love. Of course, as the years went on, I did more and more Web design and less and less print. And like everyone who made the switch from print to Web design, I bemoaned the lack of control.

I've come up through art school, through painting, through graphic design, through advertising, through TV commercials and music video. I've designed books, built billboards, matchbooks, corporate identities. I continuously paint, I've done conceptual art pictures.

The wrap dress is the most traditional form of dressing: It's like a robe, it's like a kimono, it's like a toga. It doesn't have buttons or zippers. What made it different was that it was jersey; therefore, it was close to the body and it was a print.

You might not be able to operate your own Learjet and have an unlimited expense account, but if you have a reasonable expectation for a print-based product, whether it's a newspaper or a magazine, you can certainly exist.

Anything written or printed under a print or picture takes the attention from it and, if it is very black or white in any marked degree, will utterly destroy its beauty.

From the season I did the butterfly faux tattoos on the models on the runway, every collection we do has to have a butterfly t-shirt or trim or print. People come to me for butterflies!

As both a fine artist and a graphic designer, I specialize in the visual presentation of words.

In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles.

You shall see them on a beautiful quarto page where a neat rivulet of text shall meander through a meadow of margin.

The next time you see a 16-color, blind-embossed, gold-stamped, die-cut, elaborately folded and bound job, printed on handmade paper, see if it isn't a mediocre idea trying to pass for something else.

I think what you have to do in print is to create even more memorable images and more memorable pieces because what one consumes online or in social has a much shorter shelf life, so to speak, so what print has to have is no more weight, but it has to be something that you can't find so easily online. It has to really stand for print.

I don't want to find myself designing for the press.

I want to be the Tory Burch of India - never once moving from my aesthetic, but offering a story and putting a print on whatever I can.