personality portrayal Quotes

I would love to get into acting. I really enjoy acting - portraying other personalities and approaching different levels and whatnot - that would be awesome.

It's hard to portray your personality in 140 characters. And so, at times, I tend to be very cynical. And I don't think that comes across very well on social media.

People think Paris [Hilton] is a ditzy blond, and I don't want to blow it for her, but she plays it really well. She knows exactly what she's doing. She's actually a pretty smart person. She's very cognizant of what she's doing, and she kind of plays that role, so people think she's some airhead but she's really not.

It's very rare that I play cool people. I'm not sure what that says about me.

Acting is the developing of one's own personality, too, you know. That's what the public buys in a star, shall we say, the personality thing.

Il ne faut point donner d'esprit a' ses personnages; mais savoir les placer dans des circonstances qui leur en donnent. You should not give wit to your characters, but know instead how to put them in situations which will make them witty.

Your face needs to have character if you're an actor - otherwise you're just a face.

In my mind, I'm not scary at all. I'm channeling my inner Cary Grant!

A lot of crime fiction writing is also lazy. Personality is supposed to be shown by the protagonist's taste in music, or we're told that the hero looks like the young Cary Grant. Film is the medium these writers are looking for.

Immigrant characters now are getting much more well-rounded, and they have personalities, which is important because we do need to portray immigrants in a humanizing way.

'Survivor' is a game that's designed to be played with strangers, people with varied backgrounds from all parts of the country. The greatest part is that you can go into the game as anyone you want, hold any job you desire, and portray any personality you can think of.

It's been great, I have to dig deep for really raw emotions and at the same time I have to use my intellect to say the ridiculous medical jargon while acting and treating a patient and then I have to try to have a personality and emotions as well. So it is definitely hard work.

I create the concept, which for me is about deciding upon the right girl and the right 'spirit', and thinking of all the things that visually describe her. It's just like putting together a fashion show; for me, that starts with the spirit and the girls as well.

On the stage one must not confuse the nature of a personality with the naturalness of a person.

People like to define you through what they've seen you do. There are aspects of my personality, I guess, that come through on-screen, but I don't sit around thinking, 'I've been a bumbling suitor all my life.'

For me, I just like to be as fun as possible, but I do like to bring a lot to a character. Given the script or the show, I know my boundaries, limits, and how far I can go with it. As far as me choosing these characters that have a lot of personality, I don't necessarily think it's intentional. I just think that I try and come up with a backstory of who they are, depending on the script or how rounded these characters are, and just go from there.

Barry seems to be more flamboyant merely because he gets more interviews to talk about it.

A lot of acting requires you to be a charming version of yourself.

When you're a sportswriter, you learn how to use your imagination and to flex your literary muscle, because it's the same game played over and over again. There's nothing unique or marvelous. It's not an earthquake, or a weird mass murder. It's just the same old game played over and over, and you have to bring out the personalities. You have to drag them kicking and screaming out into the light of day, or you're not a good sportswriter.

I think I'm a sober person. I think the press tries to make you into something a little bit different. In my case, a little bit of a wild man. I'm not. I'm actually not. I'm a very sober person.

When you start to do research into gorillas or any kind of apes, if you're going to play them, that's one of the biggest misconceptions. And when I did Kong, you're not doing gorilla movements, you're not doing ape movements, you're looking for a personality. It's like saying okay I'm going to do human movements.

I suppose when some people see you on TV, they expect you to be this flamboyant, champagne-drinking stud. But I'm not like that.

Diljit Dosanjh has been the best choice for playing me on screen. He has given a tremendous performance with true emotions and actions. He has not only delivered my feelings for each and every moment during my struggle post my injury but also worked hard to portray my personality as a hockey player.

Characterization is not divorced from plot, not a coat of paint you slap on after the structure of events is already built. Rather characterization is inseparable from plot.

Cinema doesn't connect with the body as artists have in two thousand years of painting, using the nude as the central figure which the ideas seem to circulate around. I think it is important to somehow push or stretch or emphasize, in as many ways as I can, the sheer bulk, shape, heaviness, the juices, the actual structure of the body. Cinema basically examines a personality first and the body afterward.