I think after doing a few shows now, people are ready to put me down.
When a performer doesn't get nervous, that is when you have to give up.
It's really nice meeting people after a concert. Still, it's very weird to be at the center of a group of 30 people all listening to what you're saying. When that group turns into 300 people, it goes on from weird. Some people revel in it, and I don't.
I never wanted to be a magician. I never wanted to be a comedian. I never wanted to be onstage.
Performers are so vulnerable. They're frightened of humiliation, sure their work will be crap. I try to make an environment where it's warm, where it's OK to fail - a kind of home, I suppose.
All performers get on stage because they need to feel love from an audience. I might appear confident, but those three seconds before I get out there, I'm a mess. But I have to take the risk; otherwise, I'd be miserable and would feel like I wasn't seeing through my personal destiny.
A little bit of neurosis is OK as a performer, but untethered, it can tear one apart.
I long for an audience. I ache for it. I think that's one of the hardest things about the television medium is that you don't get that. You don't get that immediate response.
I like to talk to the audience once the show starts, as much as possible, and feel connected to them. I don't feel quite as nervous when I do that because, then, you feel like they're on your side.
Even if you don't like a concert of mine, please, please applaud at the end anyway.
Sometimes before I go on stage, I think about how people can be so judgmental and forget they're the ones who bought your album; they're the ones that are singing along.
I can't watch other people doing comedy. As soon as somebody starts being funny I have to turn off because it upsets me. I get comedy indigestion. I just hate anybody else being funny. That's my job.
