Bridget Regan Quotes

The relationship with a live audience seems to me to count for more.

When I bring my music to a live audience, I know right away whether it is being appreciated or not.

I'm at my best when I'm being genuine and sincere, and reading my material straight up to an audience that wants to listen.

I do not play to musicians. I play to the people.

When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.

Every crowd is different. But that's something that I enjoy, and you can feel it in the first few seconds when you walk out on stage. You know, how a crowd is.

I can't imagine working without and audience.

Audiences are not strangers to me. They're the best friends I've got in my life.

I love working with an audience. I love working with actual people who, you know, if they're moved, you see it. If you say something they're stunned by, you see their jaws drop. If they're amused, they laugh - that kind of reinforcement, I totally adore.

Live stage is being made as you go along. You feel the energy. There's nothing like a live audience.

Part of the gestation of 'The Wall' was this business of alienation from the audience, and so the interesting thing was, what 'The Wall' eventually became was something that absolutely engaged the audience.

I love audiences.

I have no interest in playing 'perfect.' To me, it's more about being an entertainer. Having a connection with the audience.

So much about getting onstage is creating a connection with an audience that allows you to go different places and try different things.

It doesn't matter as long as there's interaction between me and the audience. That's why they come.

I love connecting with the audience, and there's more ways than one to do that.

Anytime you get an audience that's paying attention, you enjoy it more.

You have to respect your audience. Without them, you're essentially standing alone, singing to yourself.

In theatre, you've got to make the connect with your audience in the first three minutes. If you haven't, you know you've almost lost them.

I feel so much feedback in a very profound way from the 10,000 people who are listening to me, watching me. I just get this deep sense of what works and what doesn't work.

You take a plug and put it in a socket, and that's what the theatre is-it lights up right away. You speak, and they respond immediately.

I think I can connect with an audience because I know what it's like to be on the other side of it and I really remember all of that.

That audience is there for me.

Sometimes I just rely on technique on stage, but it's not about technique. It's about how much you want to deliver the message to the audience. That's all.

There is always something wonderful about a live audience.