It all has to do with the director, the captain of the ship. He sets the pace, the mood. If the director is quiet, the set is quiet. If the director is loud, then everybody has to be louder to be heard.
I've never been an actor on Broadway, but it feels like you're on a stage when you play at Yankee Stadium. And that's the feeling I've always had.
There's a tendency to make more money at concerts. That's from a financial standpoint. Night clubs have a better feel, better contact between the artist and the audience.
When I played in a band, people just stand there and look at you and criticize what they didn't like. But if you watch a D.J. show, people go crazy from beginning to end. Say what you want against D.J.'s, but you can't deny that the energy level in the audience is for the most part far above what rock bands have.
Usually when festivals are really huge it's kind of weird. It's totally fun for me and my band to play in front of a crowd that doesn't necessarily know who we are, but festivals get pretty impersonal when they get super large.
I did miss the music a bit - but only in the wings, when I was waiting to go on. It seemed dreadfully quiet, rather unnerving. But the wonderful thing was that one didn't have to be quite so obsessive about one's health, and one's voice.
I like Copenhagen, just because my shows there have been really good for some reason. Not that I love the city itself, but every time I play there it feels amazing. Pretty nice people there.
I love getting time to write a piece of music that can settle in and set the tone of the show.
The equipment doesn't matter, it's the vibe you put into it. If the music sounds good, music sounds good.
The club shows are really intense and powerful, but for a shorter time, and the audiences are in close proximity than when I'm performing at The Palace Theatre.
I'd rather do smaller theaters, because it's more fun for the audience and more fun for me. I like to build up demand.
It was weird [touring with them]. It felt more like we were playing for Phoenix. They asked us because they're fans of what we do.
I've always believed that the audience and the energy that the audience creates is sometimes just as important as the action inside of the ring.
The thing I love about live performance the most, is that the doors are closed, the lights are turned down, and the audience has to be reverential to what's happening onstage.
