Outdoor Filming Quotes

I'd quite like to film in Central Park. I think we have asked, but we're not allowed to.

It was fantastic to be on the set again with Denzel (Washington) and Antoine (Fuqua) and then to have the situation be so different. We weren't making a sequel to Training Day. We were in the middle of the desert riding around on some horses.

You can't make a movie about the artist without shooting outdoors.

I liked Westerns for two reasons: First, it took the actor outside. They were all very physical at that time and not limited to a stage. Second, they paid my rent an awful lot.

I don't mind being in studios, and I don't mind being out in nature. They're two different ways of making movies.

There's kind of a summer camp aspect of filming on location.

It made it feel impossible, quite honestly, because filming - you film come rain, come shine, come whatever. And it did rain a lot. And of course, that's what she must have gone through. Of course it rained; of course it was cold... But, you know, it really was quite hard to be out there in the rain.

Actually, I was rock climbing on this film at 7 in the morning. It was quite unique! But in any event, the colour of the leaves disturbed me so we had to work on that. On the other hand, I didn't want to drench it in a kind of depressing tone.

From my experience of shooting 'Tudors' on the island of Ireland, you cannot predict the weather.

It's possible for an editor to break down a dream, if you like, into its components and being able to shoot the wide shots in sunshine, when the weather was at its best and you know, we would get sort of almost a 3D effect sometimes if you chose the right time of day to shoot the thing.

I don't like to shoot on sets at all. As much as possible, I try to shoot on location.

It's nice to film in somewhere that you actually love being. Usually, you're in a studio for months on end, and you never see any daylight, so you really make the most of it.

Puerto Rico is beautiful. I mean, I love it. But it's hard to film here. It's hard to film an action movie here where you're outside, and you're running around all day.

I love going on location, and the location was nice.

There's a rule in Hollywood: stay away from water and stay away from snow, and I had both.

Michael would take us on location and see how the colors worked in the forests and fields.

Unless it's a song and something fancy, I would rather shoot on location.

Nothing prepares you for shooting in the sea. Some days the sea is choppy, some days the waves are long. When there is no wind, it's fantastic to shoot, but your brain is burning because of the heat. You are shooting hand-held and taking a crane on a boat, which is risky since you can get toppled over.

It's fun to work on location because you get the look and feel of everything, but it's nice to be on a stage because you can control the elements.

I like shooting locations just because too much control on the stage can be a bad thing.

Rain is also very difficult to film, particularly in Ireland because it's quite fine, so fine that the Irish don't even acknowledge that it exists.

Nothing is more pleasant for me than to be on location in the country that I love, in any of our western landscapes, being out there with a camp outfit and a film company.

I do want to direct a movie from horseback one day.

I have turned down soaps operas. I want to be outside, and I want to have the gun. It is cowboys and Indians to me.

There's nothing like the discipline of having to work on a cold film set on the Danubian plain in Bulgaria. Boy, does it get cold.