Aishwarya Rajesh Quotes

Unless it's a song and something fancy, I would rather shoot on location.

Michael would take us on location and see how the colors worked in the forests and fields.

A lot of a movie is locations, frankly.

Ultimately, making movies is a really, really small world. Being on sets and going to the same locations, like shooting in Shreveport, you're always working with somebody from another set that you worked with.

I don't like to shoot on sets at all. As much as possible, I try to shoot on location.

You can't anticipate in the room the riches of what you encounter when you're location hunting for a movie.

It was important on The Shipping News to have my house far enough away from each location so I had this time in the morning to think about my shots and still remain open to surprises once I got to the set.

I don't like to watch playback. But being on the set, watching the way the camera is being moved and the way the light is being used, you do get an idea of it.

I like going on location for films.

I love movie sets. It's another home for me. Movie theaters and movie sets - they're just the best places to be. I love them.

I shoot reality-based movies, and in actual locations, shooting them with a star is next to impossible.

I don't mind being in studios, and I don't mind being out in nature. They're two different ways of making movies.

There's so many interesting aspects of making a movie: the costume department, the set design, the casting itself, the locations.

When shooting in real spaces, the work of a cinematographer begins where location meets production design meets time of day. No movie light will ever look as real as the sun, so scheduling becomes truly paramount to naturalistic lighting.

The truth is James Cameron can do every other job. I'm talking about every single department, from art direction to props to wardrobe to cameras, he knows more than everyone doing the job. But he can't act. And therefore he is in thrall of actors.

You can't make a movie about the artist without shooting outdoors.

One of the reasons I love to jump back and forth between mediums is that film does allow me to be more literal. I can go to the real place. I can go to the Coliseum, and I don't have to fake it.

When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical.

I'd love to direct, I'd love to produce. I'd love to learn all about it, and being around it all the time certainly helps.

On Fantastic Mr. Fox, I got used to working with animated storyboards as a way of planning for the shoot. We did a lot of sequences that way with this movie. Partly as a result of that, I decided to build more sets in order to do certain shots.

I had fun doing it, but acting ain't really my thing. I am more of a production/director type. I would rather be behind the scenes and organizing and putting things together like that.

Last summer a second unit production crew went to France and shot scenes for several of this season's episodes. They shot costumed actors in and around real castles and landmarks, we couldn't possibly have duplicated here in Hollywood.

I would love to produce a film. I have written a script and am in the process of writing another, so maybe it will happen down the road. I would love to do a film in Africa.

A day on a film set is maddening.

I prefer working behind the camera.