Getting to work with The Undertaker right off the bat was a tremendous opportunity. It was an opportunity to be a career-maker, and fortunately, I was able to take advantage of that.
I landed the role in 'Caddyshack' auditioning, like everybody else. It wasn't a role I thought I'd get, so I had nothing to lose.
I was young and felt like it was opportunity 'cause they were moving units back then on the underground scene.
When the opportunity to choreograph came up, it was nothing more in my head but an opportunity. Then it suddenly became a career very quickly.
Sure enough, it wasn't long until I got a call, telling me I had a scholarship there. It was the only scholarship offer I had and, believe me, I jumped at it.
The more minutes you get on the pitch, the more you can prove yourself.
They had an opening. You know, it was one of those deals. I auditioned and got it in '93.
Every time you get the chance to work with somebody you admire and would like to collaborate with... it feels like the best opportunity that's ever come your way, whether that's in fringe theatre or a really big-budget Hollywood movie.
I was lucky - the first eight productions I auditioned for, I got cast.
I've had a great time doing it - being able to say yes to a couple of amazing shows.
Things fell into place and there was an opportunity for fresh leadership. And - I was - I was successful.
